{"id":21525,"date":"2020-09-03T12:01:20","date_gmt":"2020-09-03T11:01:20","guid":{"rendered":"https:\/\/www.revuenoire.com\/?p=21525"},"modified":"2020-09-10T16:35:17","modified_gmt":"2020-09-10T15:35:17","slug":"i-have-forgotten-the-night-joel-andrianomearisoa-madagascar-pavilion-58e-venice-biennale-2019-2","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/i-have-forgotten-the-night-joel-andrianomearisoa-madagascar-pavilion-58e-venice-biennale-2019-2\/","title":{"rendered":"REVUE NOIRE \u2013 Histoire Histoires \u2013 History Stories"},"content":{"rendered":"
\n
\n\t
\"Couverture<\/a>
couverture\/cover PASCALE MARTHINE TAYOU s\u00e9rie 'Le lendemain' 1996<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div><\/div>
\n
\n\t

REVUE NOIRE \u2013 Histoire Histoires \u2013 History Stories<\/h1>\n

<\/h3>\n

by Jean Loup Pivin - Simon Njami - Pascal Martin Saint Leon - Bruno Tilliette<\/h3>\n

with N\u2019Gon\u00e9 Fall, Mich\u00e8le Rakotoson, Isabelle Boni Claverie...<\/p>\n

 <\/p>\n

New Book [september 2020] available HERE<\/a><\/h2>\n

 <\/p>\n

From the HISTORY through which Contemporary African Art is finally considered as an integral part of HISTORY OF ART, to the STORIES which have allowed REVUE NOIRE to exist.<\/p>\n

 <\/p>\n

A book of 400 pages of the thoughts, deliberations, attitudes and memories of the people who founded Revue Noire in 1991 : Simon Njami, Jean Loup Pivin, Pascal Martin Saint Leon and Bruno Tilliette, later joined by N\u2019Gon\u00e9 Fall.<\/p>\n

 <\/p>\n

A book that tells the story of an artistic evolution, shows readers the different productions of Revue Noire and throws light on the motives and intentions that guided its creators.\u00a0<\/span><\/p>\n

 <\/p>\n

A book essential to the study of contemporary African creation in its every form, essential to a contemplation of the world and action, and essential in framing issues of identity and ethnicity, always seen through the prism of the world of forms. Today.\u00a0<\/span><\/p>\n

Creations, ideas, images and words.\u00a0<\/span>A book of many voices.\u00a0<\/span><\/p>\n

.<\/p>\n

.<\/p>\n

400 pages 21 x 27 cm<\/p>\n

500 color pictures<\/p>\n

30 contributors<\/p>\n

in French and English (translation Simon Beaver)<\/p>\n

published in Septembre 2020<\/p>\n

ISBN 978 2 909571 82 9<\/p>\n

 <\/p>\n

Diffusion, distribution Art & Paper (Saveca) Tel : 33 [0]1 48 10 98 40
\nE-mail : contact@saveca-artandpaper.com<\/p>\n

 <\/p>\n

Relations Media \u2013\u00a0Catherine Philippot<\/p>\n

www.relations-media.com
\nTel : 33 [0]1 40 47 63 42
\nE-mail : cathphilippot@relations-media.com<\/p>\n

.<\/p>\n

.<\/p>\n

RevueNoire-HistoireHistoires-HistoryStories-extraCts<\/a><\/h3>\n

.<\/p>\n

.<\/p>\n

Contents<\/strong><\/h1>\n

 <\/p>\n

The book includes 5 parTs :<\/h3>\n

 <\/p>\n

A \u2013 Genealogy Of A Thought<\/p>\n

B \u2013 Issues & Topics<\/p>\n

C \u2013 Fabrica<\/p>\n

D \u2013 Chronology<\/p>\n

E \u2013 Index<\/p>\n

 <\/p>\n

A \u2013 GENEALOGY OF A THOUGHT<\/h1>\n

<\/h3>\n

GENESY<\/strong><\/h2>\n

 <\/p>\n

Mosaic of Thought \u2013 J.L. Pivin & P. Martin St Leon<\/p>\n

The Story of Worlds \u2013 S. Njami
\nOn Scandal & Chaos \u2013 S. Njami
\nThe Contemporary Facts \u2013 S. Njami
\nWorld Color \u2013 J.L. Pivin
\nAnother World Possible \u2013 B. Tilliette
\nFirst Encounter \u2013 S. Njami
\nA Little Girl On the Orange Tree \u2013 Mich\u00e8le Rakotoson<\/p>\n

TRACEY ROSE \u2013 artist portrait<\/p>\n

 <\/p>\n

AFRICA<\/strong><\/h2>\n

 <\/p>\n

An End To Illusions \u2013 J.L. Pivin<\/p>\n

The Interpreter & The Ethnologist \u2013 J.L. Pivin<\/p>\n

Sighted Power \u2013 S. Njami<\/p>\n

Movements \u2013 J.L. Pivin
\nPost \u2013 S. Njami
\nAnthropometric Visions in the 1990s \u2013 S. Njami<\/p>\n

PUME BYLEX \u2013 artist portrait<\/p>\n

 <\/p>\n

ART & ARTIST<\/strong><\/h2>\n

 <\/p>\n

The Artist & The Master \u2013 J.L. Pivin<\/p>\n

The Artist as Messenger \u2013 P. Martin Saint Leon<\/p>\n

 <\/p>\n

SEX<\/strong><\/h2>\n

 <\/p>\n

From The Unnamed To The Unnamable \u2013 J.L. Pivin & P. Martin St Leon<\/p>\n

Male Blues \u2013 S. Njami
\nRite of Passage \u2013 S. Njami<\/p>\n

 <\/p>\n

ALAIN NZUZI POLO \u2013 artist portrait<\/p>\n

 <\/p>\n

B \u2013 ISSUES & TOPICS<\/h1>\n

 <\/p>\n

Revue Noire 01 \u2013 Ousmane Sow \/ African London<\/p>\n

\n
\n
\n
On A \u00a0Shady Terrace \u2013 Revue Noire<\/div>\n<\/div>\n<\/div>\n<\/div>\n

Revue Noire 02 \u2013 Sokary Douglas Camp \/ Abidjan<\/p>\n

Abidjan A Misunderswtanding \u2013 Yacouba Konat\u00e9<\/p>\n

Memory On March \u2013 Alpha Oumar Konar\u00e9<\/p>\n

Revue Noire 04 \u2013 Micka\u00ebl Bethe-S\u00e9lassi\u00e9 \/ Namibia<\/p>\n

All The Art In The World \u2013 J.L. Pivin<\/p>\n

Revue Noire 05 \u2013 Ouatarra Watts \/ Libreville Gabon<\/p>\n

On The Perpendicular Voyage as Art \u2013 Yves de La Croix<\/p>\n

 <\/p>\n

topic \/ literature<\/strong><\/h2>\n

 <\/p>\n

\u00a0From Negritude<\/em> To Tigritude<\/em> \u2013 B. Tilliette <\/strong><\/p>\n

 <\/p>\n

Infernal Letter to Monsieur Rimbaud \u2013 Sony Labou Tansi<\/strong>
\nThe Source \u2013 Tchicaya U Tam'si<\/strong>
\nPeoples \u2013 Jean-Luc Raharimanana<\/strong>
\nBreaths \u2013 Gros-Poil \u2013 Gerty Dambury<\/strong>
\nThey're Not Like Us \u2013 Jos\u00e9 Eduardo Algualusa<\/strong><\/p>\n

La Demoiselle de Kinshasa \u2013 Adagio to a Dream \u2013 Beyond the Gate \u2013 Star Nyaniba Hammond<\/strong>
\nScavengers \u2013 Above Control \u2013 Kobena Eyi Acquah\u00a0<\/strong><\/p>\n

 <\/p>\n

topic CARIBBEANS<\/strong><\/h2>\n

 <\/p>\n

Revue Noire 06\u201309 \u2013 Caribbeans [Cuba\u2013Jamaica\u2013Martinique\u2013Guadeloupe\u2013Ha\u00efti\u2013Santo Domingo\u2013Puerto Rico\u2013Trinidad\u2013Guyanes]<\/strong><\/p>\n

The Ancestor'Ship on Fire \u2013 Jean-Claude Charles<\/strong><\/p>\n

Looking At Yourself Trough A Window \u2013 Pascale Marthine Tayou<\/strong><\/p>\n

 <\/p>\n

Revue Noire 07 \u2013 Dakar S\u00e9n\u00e9gal<\/p>\n

\u00a0Dakar in Total Freedom \u2013 Rokhaya Daba Sarr<\/p>\n

<\/h3>\n

topic CINEMA<\/strong><\/h2>\n

 <\/p>\n

Revue Noire 08 \u2013 Cinema<\/strong><\/p>\n

Where is African Cinema ? \u2013 \u00a0Isabelle Boni-Claverie<\/strong><\/p>\n

An Evening Watching A Soccer Game with Mamb\u00e9ty \u2013 Anne Khady S\u00e9\u00a0<\/strong><\/p>\n

DJIBRIL DIOP MAMB\u00c9TY \u2013 artist portrait<\/strong><\/p>\n

ABDERRAHMANE SISSAKO \u2013 artist portrait\u00a0<\/strong><\/p>\n

 <\/p>\n

Revue Noire 11 \u2013 South Africa<\/p>\n

The Confession \u2013 S. Njami & J.L. Pivin<\/p>\n

One Does Not Kill A Man Who Sings\u2026 \u2013 J.L. Pivin<\/p>\n

Revue Noire 12 \u2013 Mediterranean Africa<\/p>\n

The Roses of the Gods \u2013 J.L. Pivin<\/p>\n

Revue Noire 13 \u2013 Cameroon<\/p>\n

The Faced have Aged \u2013 S. Njami<\/p>\n

Revue Noire 14 \u2013 Africa Dance<\/p>\n

The Idolater \u2013 J.L. Pivin<\/p>\n

 <\/p>\n

topic PHOTOGRAPHY<\/strong><\/h2>\n

 <\/p>\n

Revue Noire 03 & 15 \u2013 African Photography<\/strong><\/p>\n

Revue Noire & Photography \u2013 J.L. Pivin<\/strong><\/p>\n

Shadow & Blackness \u2013 J.L. Pivin<\/strong>
\nThe First Look at a Photography \u2013 J.L. Pivin<\/strong><\/p>\n

A Dress So Red \u2013 S. Njami<\/strong>
\nFiction-Photography \u2013 P. Martin Saint Leon<\/strong><\/p>\n

 <\/p>\n

ABDOURAHMANE SAKALY \u2013 artist portrait<\/strong><\/p>\n

PHILIPPE KOUDJINA \u2013 artist portrait<\/strong><\/p>\n

BOUNA M\u00c9DOUNE SEYE \u2013 artist portrait<\/strong><\/p>\n

DORRIS HARON KASCO \u2013 artist portrait<\/strong><\/p>\n

JEAN DEPARA \u2013 artist portrait<\/strong><\/p>\n

 <\/p>\n

Revue Noire 16 \u2013 Indian Ocean [R\u00e9union\u2013Mauritius\u2013Seychelles\u2013Comores]<\/p>\n

An Island, Islands \u2013 J.L. Pivin<\/p>\n

Revue Noire 17 \u2013 Mali\u2013Burkina Faso\u2013Niger<\/p>\n

Of Art Of Sahel Of Exception And Of Jean-Luc Godard \u2013 Yves de La Croix<\/p>\n

\u00a0Ghosts Don't Go To Heaven \u2013 J.L. Pivin<\/p>\n

Engines \u2013 Bruno Airaud<\/p>\n

The Evidence of Life \u2013 Bruno Tilliette<\/p>\n

Revue Noire 18 \u2013 Benin<\/p>\n

Waiting for Rain\u2026 \u2013 S. Njami<\/p>\n

 <\/p>\n

tyopic AIDS<\/strong><\/h2>\n

 <\/p>\n

Revue Noire 19 \u2013 African Artists and AIDS<\/strong><\/p>\n

The Shadow of AIDS \u2013 J.L. Pivin<\/strong><\/p>\n

Memories of Youth \u2013 Abdoulaye M'Bengue<\/strong><\/p>\n

Dolorosa \u2013 Mich\u00e8le Rakotoson<\/strong><\/p>\n

 <\/p>\n

Revue Noire 20 \u2013 Black Paris<\/p>\n

In The Pale Sheen Of Neon Lights \u2013 Bashir N'Diaye<\/p>\n

 <\/p>\n

PATRICE F\u00c9LIX-TCHICAYA artist portrait<\/p>\n

 <\/p>\n

Revue Noire 21\u2013 \u00a0Kinshasa Congo<\/p>\n

A Song In The City \u2013 J.L. Pivin<\/p>\n

Revue Noire 22 \u2013 Afro-Br\u00e1sileiro<\/p>\n

Lapa By Night \u2013 Andr\u00e9 Jolly<\/p>\n

Revue Noire 24 \u2013 Djibouti\u2013Ethiopia \u2013Erythrea<\/p>\n

From Your Lips To The Doors Of Heaven \u2013 N'Gon\u00e9 Fall<\/p>\n

Revue Noire 26 \u2013 Madagascar<\/p>\n

Wake up ! We Are All dead \u2013 \u00c9lie Rajaonarison<\/p>\n

\n
\n
\n
\n

 <\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

topic Fashion Design<\/strong><\/h2>\n

 <\/p>\n

Revue Noire 27 \u2013 African Fashion<\/strong>
\nRebirth Of An African Style \u2013 J.L. Pivin<\/strong><\/p>\n

Seeing, Hearing, Smelling, Touching & The Imagination Of Taste \u2013 N'Gon\u00e9 Fall & Nathalie Rosticher<\/strong><\/p>\n

Ornement Is Not A Crime \u2013 J.L. Pivin<\/strong><\/p>\n

 <\/p>\n

CHRIS SEYDOU artist portrait<\/strong><\/p>\n

ALPHADI artist portrait<\/strong><\/p>\n

XULY-B\u00cbT artist portrait<\/strong><\/p>\n

 <\/p>\n

Revue Noire 29 \u2013 Angola<\/p>\n

Affectionate Words \u2013 N'Gon\u00e9 Fall<\/p>\n

Revue Noire 30 \u2013 Nig\u00e9ria<\/p>\n

The Obalende Suyas \u2013 Patrice Monfort<\/p>\n

 <\/p>\n

topic City<\/strong><\/h2>\n

 <\/p>\n

Revue Noire 31 \u2013 Africa Urbis \u2013 The City<\/strong><\/p>\n

Tastes \u2013 Issa Diabat\u00e9<\/strong><\/p>\n

A Fragance of Tear Gaz Bombs \u2013 Kangni Alemdjrodo<\/strong><\/p>\n

 <\/p>\n

Revue Noire 32 \u2013 Togo \/ Ghana<\/p>\n

Togo In Light Shade \u2013 Henri Assila<\/p>\n

Ghana Maybe Time \u2013 Bruno Airaud<\/p>\n

Revue Noire 33-34 \u2013 \u00a0Morocco<\/p>\n

Casa To Death To Life \u2013 Nicole de Pontcharra & P. Martin Saint Leon<\/p>\n

 <\/p>\n

MOHAMMED KACIMI artist portrait<\/p>\n

 <\/p>\n

C \u2013 FACTORY<\/h2>\n

 <\/p>\n

Ah Money ! \u2013 J.L. Pivin & P. Martin Saint Leon
\nRight & Wrong \u2013 B. Tilliette<\/p>\n

The Revue Noire Family \u2013 Revue Noire<\/p>\n

'Suites Africaines' \u2013 exhibition, Paris 1997<\/p>\n

 <\/p>\n

JO\u00cbL ANDRIANOMEARISOA<\/p>\n

The Sentimental House<\/p>\n

PASCALE MARTHINE TAYOU<\/p>\n

Revue Noire Fetishes<\/p>\n

 <\/p>\n

D \u2013 CHRONOLOGY<\/h2>\n

1985-1989 \u2013 Background Of The World
\n1989-2000 \u2013 The Years Revue Noire<\/p>\n

2000-2020 \u2013 The After<\/p>\n

 <\/p>\n

E \u2013 INDEX<\/h2>\n

 <\/p>\n

The 3.500 artists and writers published in Revue Noire<\/p>\n

Visual art
\nPhotography
\nLiterature<\/p>\n

Cinema
\nMusic Dance Theater<\/p>\n

Fashion Design<\/p>\n

 <\/p>\n

The Contributors<\/strong><\/h2>\n

 <\/p>\n

Jean-Loup PIVIN, founder, editor, publication director<\/h3>\n

Architect, he designed the Mus\u00e9e national du Mali in Bamako, with Pascal Martin Saint Leon and Moustaph Soumar\u00e9. In 1986, he created one of the first French office of cultural ingineering, BICFL, related in the book \u2018Acte d\u2019Utopie\u2019 (\u00c9ditions Revue Noire, Paris 2019, writer by J.L. Pivin, available here<\/a>).<\/p>\n

 <\/p>\n

Simon NJAMI,\u00a0founder,\u00a0editor-in-chieF<\/h3>\n

Writer [of novels as \u00a0\u2018Cercueil et Cie\u2019 (Lieu Commun, 1985), \u2018African Gigolo\u2019, (Seghers, 1989) ; and of the biographies \u2018James Baldwin ou le devoir de violence\u2019 (Seghers, 1991) and \u2018C\u2019\u00e9tait Senghor \u2018(Fayard, 2006).<\/p>\n

Art director of some 'Rencontres Photo de Bamako' and 'Biennale des Arts in Dakar', curator of many exhibitions ast Africa Remix.<\/p>\n

 <\/p>\n

Pascal MARTIN SAINT LEON,\u00a0founder, Art\u00a0\u00a0director<\/h3>\n

Architect, he has designed with J.L.Pivin the Mus\u00e9e national du Mali and the Centre culturel fran\u00e7ais in Bamako, and also the renovation of the\u2018Campus France\u2019 (before 'Egide') in Paris.<\/p>\n

 <\/p>\n

Bruno TILLIETTE,\u00a0founder, literature advisor<\/h3>\n

Journalist and writer. He was editor-in-chief of the magazine \u2018Autrement \u2018. He wrote lot of books about communication and managing.\u00a0Consultant for the Festival de la Francophonie in Limoges from 1986 to 2006.<\/p>\n

 <\/p>\n

&<\/p>\n

 <\/p>\n

N\u2019Gon\u00e9 FALL, Editor director<\/h3>\n

Architect, international advisor in African contemporary art. She is art director of the event \u2018Africa 20\/20\u2019.<\/p>\n

 <\/p>\n

Mich\u00e8le RAKOTOSON, literature advisor<\/h3>\n

Writer of novels as \u00a0\u2018Dadab\u00e9\u2019 (Karthala, 1984), \u2018Le Bain des reliques' ( Karthala, 1988), \u2018Lalana\u2019 (Ed. L'Aube, 2002), \u2018Madame \u00e0 la campagne : Chroniques malgaches\u2019 (Dodo vole\u2019, 2015).\u00a0Director of the\u00a0'Concours de la Nouvelle francophone RFI'. She lives now in Madagascar.<\/p>\n

 <\/p>\n

Isabelle BONI-CLAVERIE, cinema advisor.<\/h3>\n

Filmmaker, writer, she has directed the film \u2018Le G\u00e9nie d'Abou\u2019 (1998), 'Pour la nuit' (2004), and writed 'Trop Noire pour \u00eatre fran\u00e7aise ?' (2015).<\/p>\n

\n
\n
\n
\n

 <\/p>\n

NATHALIE ROSTICHER<\/h3>\n

iconograph, museum curator<\/p>\n<\/div>\n

\n
\n
\n
\n

<\/h3>\n

AM\u00c9D\u00c9 MULIN<\/h3>\n

consutant for music and architecture<\/p>\n

<\/h3>\n

BRUNO AIRAUD<\/h3>\n

consutant, architect scenographer<\/p>\n

<\/h3>\n

ANDR\u00c9 JOLLY<\/h3>\n

consultant Africa-Brazil<\/p>\n

.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

 <\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

<\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

.
\nby JEAN LOUP PIVIN – SIMON NJAMI
\nPASCAL MARTIN SAINT LEON – BRUNO TILLIETTE<\/p>\n

.
\nwith N\u2019Gon\u00e9 Fall, Mich\u00e8le Rakotoson, Isabelle Boni Claverie…
\n.
\nFrom the HISTORY through which contemporary African art is finally considered as an integral part of HISTORY OF ART, to the STORIES which have allowed REVUE NOIRE to exist.<\/p>\n

.
\nA book of 400 pages of the thoughts, deliberations, attitudes and memories of the people who founded Revue Noire in 1991 : Simon Njami, Jean Loup Pivin, Pascal Martin Saint Leon and Bruno Tilliette, later joined by N\u2019Gon\u00e9 Fall.<\/p>\n

.
\nA book that tells the story of an artistic evolution, shows readers the different productions of Revue Noire and throws light on the motives and intentions that guided its creators.\u00a0<\/p>\n

.
\nA book essential to the study of contemporary African creation in its every form, essential to a contemplation of the world and action, and essential in framing issues of identity and ethnicity, always seen through the prism of the world of forms. Today.\u00a0<\/p>\n

.
\nCreations, ideas, images and words.\u00a0A book of many voices.<\/p>\n","protected":false},"author":2,"featured_media":21519,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[54],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/21525"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=21525"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/21525\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/21519"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=21525"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=21525"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=21525"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}