{"id":20973,"date":"2019-10-01T16:08:23","date_gmt":"2019-10-01T15:08:23","guid":{"rendered":"https:\/\/www.revuenoire.com\/?p=20973"},"modified":"2019-10-01T16:58:17","modified_gmt":"2019-10-01T15:58:17","slug":"almost-home-joel-andrianomearisoa","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/almost-home-joel-andrianomearisoa\/","title":{"rendered":"Almost Home by Jo\u00ebl Andrianomearisoa"},"content":{"rendered":"
\n
\n\t

\""Almost<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div>

\n
\n\t

\""Almost<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

\n
\n\t

Almost Home<\/h1>\n

a proposition by Jo\u00ebl Andrianomearisoa<\/h3>\n

 <\/p>\n

with the participation of<\/p>\n

:mentalKLINIK<\/p>\n

Rapha\u00ebl Barontini<\/p>\n

Denis Darzacq<\/p>\n

Odile Decq<\/p>\n

Arthur Dreyfus<\/p>\n

Alexandre Gour\u00e7on<\/p>\n

Alain Nzuzi Polo<\/p>\n

Benjamin Sabatier<\/p>\n

Christian Sanna<\/p>\n

 <\/p>\n

and Conqu\u00e9rant Spirits by Henri van Melle & Jean-Luc Etievent<\/p>\n

 <\/p>\n

Opening the saturday 5 October 2019 (4pm-28pm)<\/p>\n

 <\/p>\n

Galerie RX - Le Marais<\/a><\/p>\n

16 rue des Quatre Fils, 7003 Paris<\/p>\n

exhibition from 5 to 26 October 2019<\/p>\n

 <\/p>\n

#galerierx<\/p>\n

@joelandrianomearisoa<\/p>\n

@almosthomeshow<\/p>\n

 <\/p>\n<\/div>\n<\/div><\/div><\/div>

\n
\n\t

[your invitation for opening<\/a>]<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

.
\nexhibition
\n.
\na proposition by Jo\u00ebl Andrianomearisoa with the participation of
\n.
\n:mentalKLINIK
\nRapha\u00ebl Barontini
\nDenis Darzacq
\nOdile Decq
\nArthur Dreyfus
\nAlexandre Gour\u00e7on
\nAlain Nzuzi Polo
\nBenjamin Sabatier
\nChristian Sanna
\n.
\nand Conqu\u00e9rant Spirits by Henri van Melle and Jean-Luc Etievent
\n.
\n.
\nOpening the Saturday 5 October 2019 (4pm-8pm)
\n.
\n.
\nGalerie RX – Le Marais 16 rue des Quatre Fils, 7003 Paris
\nexhibit from 5 to 26 October 2019
\n.<\/p>\n","protected":false},"author":2,"featured_media":20968,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[54],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/20973"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=20973"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/20973\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/20968"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=20973"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=20973"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=20973"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}