{"id":20939,"date":"2019-09-27T16:07:32","date_gmt":"2019-09-27T15:07:32","guid":{"rendered":"https:\/\/www.revuenoire.com\/?p=20939"},"modified":"2019-10-01T15:13:58","modified_gmt":"2019-10-01T14:13:58","slug":"conversation-revue-noire-cite-des-arts-paris","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/conversation-revue-noire-cite-des-arts-paris\/","title":{"rendered":"Conversation Revue Noire ……………… Cit\u00e9 des Arts, Paris"},"content":{"rendered":"\n

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\"Conversation<\/a>
\u00a9 photo Patrice F\u00e9lix-Tchicaya (RN20 Paris Noir)<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div>
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Revue Noire<\/h1>\n

African\u00a0Contemporary art \u00a0Magazine
\n1991-2001<\/h1>\n

.<\/p>\n

a conversation with N’Gon\u00e9 Fall, Simon Njami,<\/h3>\n

Jean Loup Pivin, Pascal Martin Saint Leon,<\/h3>\n

moderator Raison Naidoo<\/h3>\n

.<\/p>\n

Responding to the invisibility of contemporary African art in exhibitions and institutions in Paris and over the world at the end of the 1980s, Revue Noire was founded in 1991 to demonstrate that artists and contemporary African art were alive and well.\u00a0<\/span><\/p>\n

.<\/p>\n

The magazine of contemporary African art further illustrated the history and contribution of African artists in various disciplines \u2013 visual artists, filmmakers, writers, musicians, photographers, designers, etc. \u2013 to the international arts scene.\u00a0<\/span><\/p>\n

.<\/p>\n

From East to West, from North to South, the entire African continent is covered, including northern Arabic-speaking countries, the islands of the Indian Ocean from Madagascar to the Seychelles, the Caribbean islands, countries with strong African presence such as Brazil, Canada, and major cities such as London and Paris. Some issues have a transversal approach dealing with disciplines such as photography, dance, cinema, fashion or social events such as urban city, cooking, AIDS…<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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Following a first roundtable held on May 8, 2019 at the Forum of African Art in the 58th Venice Biennale (see HERE the conversation on YouTube<\/a>), the Cit\u00e9 Internationale des Arts invites you to this second conversation on Revue Noire, moderated by independent curator and writer Riason Naidoo, in the presence of the 4 editors :
\n.
\n\u2022 N’Gon\u00e9 Fall, independent curator, art writer and cultural consultant<\/p>\n

.<\/p>\n

\u2022 Simon Njami, writer, independent curator, art critic and essayist<\/p>\n

.<\/p>\n

\u2022 JeanLoup Pivin, architect, cultural consultant and director of RevueNoire
\n.
\n\u2022 Pascal Martin Saint Leon, architect and artistic director of Revue Noire
\n.
\nRiason Naidoo (South Africa) is a recipient of the Writing Committee of the Cit\u00e9 Internationale des Arts.<\/p>\n

.<\/p>\n

Free admission
\nCit\u00e9 des Arts, 18 rue de l’H\u00f4tel de Ville, 75004 Paris<\/p>\n

www.citedesartsparis.fr<\/a>\u00a0 <\/span>#citeinternationaledesarts<\/p>\n

.
\n.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

.
\nFollowing a first roundtable held on May 8, 2019 at the Forum of African Art in the 58th Venice Biennale, the Cit\u00e9 Internationale des Arts invites you to this second conversation on Revue Noire, moderated by independent curator and writer Riason Naidoo, in the presence of the 4 editors :
\n.
\n\u2022 N’Gon\u00e9 Fall, independent curator, art writer and cultural consultant
\n.
\n\u2022 Simon Njami, writer, independent curator, art critic and essayist
\n.
\n\u2022 JeanLoup Pivin, architect, cultural consultant and director of Revue Noire
\n.
\n\u2022 Pascal Martin Saint Leon, architect and artistic director of Revue Noire
\n.
\nRiason Naidoo (South Africa) is a recipient of the Writing Committee of the Cit\u00e9 Internationale des Arts.
\n.
\nFree admission
\nCit\u00e9 des Arts, 18 rue de l’H\u00f4tel de Ville, 75004 Paris <\/p>\n","protected":false},"author":2,"featured_media":20912,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[54],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/20939"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=20939"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/20939\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/20912"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=20939"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=20939"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=20939"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}