{"id":19031,"date":"2017-01-06T18:25:49","date_gmt":"2017-01-06T17:25:49","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=19031"},"modified":"2022-11-09T12:14:32","modified_gmt":"2022-11-09T11:14:32","slug":"dambudzo-marechera-zimbabwe","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/dambudzo-marechera-zimbabwe\/","title":{"rendered":"Dambudzo MARECHERA &#8211; Zimbabwe"},"content":{"rendered":"<div id=\"pl-19031\"  class=\"panel-layout\" ><div id=\"pg-19031-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-19031-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-19031-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><a href=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2018\/01\/Dambudzo-Marechera-Zimbabwe-Ecrivain.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-thumbnail wp-image-19591\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2018\/01\/Dambudzo-Marechera-Zimbabwe-Ecrivain-150x150.jpg\" alt=\"Dambudzo Marechera, Zimbabwe, Writer\" width=\"150\" height=\"150\" \/><\/a><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">Dambudzo Marechera, born in 1955 in a township of Rhodesia (now Zimbabwe), dies of AIDS at the age of 35 in Harare in 1987. Writer and poet, he was a fleeting moment of brilliance in the English language literature.\u00a0Bubbling with revolt and brilliant student, he was expelled from the University of the former Southern Rhodesia in 1972. Admitted to Oxford, UK, he also will not know the serenity, chased from the English university for his provocations. He will return to his country in 1982. At 27, he received\u00a0the\u00a0'Guardian Fiction Price 1979' with his collection of short stories\u00a0'The House of Hunger'. <\/span><\/p>\n<p class=\"p4\"><span class=\"s1\">Published texts : '<i>The House of Hunger<\/i>\u2019 1978 ;<\/span><span class=\"s1\">\u00a0'<i>Black Sunlight' 1980 ;\u00a0<\/i><\/span><span class=\"s1\">'<i>Mindblast or The Definitive Buddy' 1984 ;<\/i><\/span><span class=\"s1\">\u00a0'<i>The Black Insider' 1992\u00a0; <\/i>'<\/span><span class=\"s1\"><i>Cemetery of Mind' 1992 ;<\/i><\/span><span class=\"s1\">\u00a0'<i>Scrapiron Blues'\u00a01994 ;\u00a0<\/i><\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p4\" style=\"text-align: center\">***<\/p>\n<p><em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<h1 class=\"p1\"><span class=\"s1\">The Slow Sound of his Feet<\/span><\/h1>\n<p class=\"p1\"><span class=\"s1\">[published in RN 05 in June 1992, original text written in English-Zimbabwe]<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p4\" style=\"text-align: left;padding-left: 270px\"><em><span class=\"s1\">But someday if I sit<\/span><\/em><\/p>\n<p class=\"p4\" style=\"text-align: left;padding-left: 270px\"><em><span class=\"s1\">Quietly at this corner listening, <\/span><\/em><\/p>\n<p class=\"p4\" style=\"text-align: left;padding-left: 270px\"><em><span class=\"s1\">there may come this way the slow sound of his feet.<\/span><\/em><\/p>\n<p class=\"p4\" style=\"text-align: left;padding-left: 270px\"><em><span class=\"s1\">\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 J.D.C. Pellow<\/span><\/em><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\" style=\"text-align: left\"><span class=\"s1\">I dreamt last night that the Prussian surgeon Johann Friedrich Dieffenbach had decided that I stuttered because my tongue was too large ; and he cut my large organ down to size by snipping of chunks from the tip and the sides. Mother woke me up to tell me that father had been struck down by a speeding car at the roundabout ; I went to the mortuary to see him, and they had sewn back his head to the trunk and his eyes were open. I tried to close them but they would not shut, and later we buried him with his eyes still staring upwards.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">It was raining when we buried him.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">It was raining when I woke up looking for him. His pipe lay where it had always been, on the mantelpiece. When I looked at it the rain came down strongly and rattled the tin roof of my memories of him. His leatherbound books were upright and very still in the bookcase.<span class=\"Apple-converted-space\">\u00a0 <\/span>One of them was Oliver Bloodstein\u2019s <i>A Handbook on Stuttering<\/i>. There was also a cuneiform tablet - a replica of the original - on which was written, several centuries before Christ, an earnest prayer for release from the anguish of stuttering. He had told me that Moses, Demosthenes and Aristotle also had a speech impediment ; that Prince Battus, advised by the oracle, cured himself of stuttering by conquering the North Africans ; and that Demosthenes taught himself to speak without blocks by outshouting the surf through a mouthful of pebbles.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">It was still raining when I lay down and closed my eyes, and I could see him stretched out in the sodden grave and trying to move his mandibles. When I woke up I could feel him inside me ; and he was trying to speak, but I could not. Aristotle muttered something about my tongue being abnormally thick and hard. Hippocrates then forced my mouth open and stuck blistering substances to my tongue to drain away the dark fluid. Celsus shook his head and said : \u201cAll that the tongue needs is a good gargle and a massage.\u201d But Galen, who would not be left out, said my tongue was merely too cold and wet. And Francis Bacon suggered a glass of hot wine.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">As I walked down to the beerhall I saw a long line of troop-carriers drawn up at the gates of the township. They were all white soldiers. One of them jumped down and prodded me with his rifle and demanded to see my papers. I had only my University student card. He scrutinized it for such a long time that wondered what was wrong with it.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cWhy are you sweating ?\u201d he asked.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">I took out my paper and pencil and wrote something and showed it to him.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cDumb, eh ?\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">I nodded.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cAnd you think I\u2019m dumb too, eh ?\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">I shook my head. But before I could finish shaking my head, his hand came up fast and smacked my jaw. I brought up my hand to wipe away the blood, but he blocked it and hit me again. My fasle teeth cracked and I was afraid I would swallow the jagged fragments. I spat them out without bringing up my hand to my mouth.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cFalse teeth too, eh ?\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">My eyes were stinging. I couldn\u2019t see him clearly. But I nodded.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cFalse identity too, eh ?\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">I had an overwhelming desire to move my jaws and force my tongue to repeat what my student card had told him. But I only managed to croak out unintelligible sounds. I pointed to my paper and pencil which had fallen to the ground.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">He nodded.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">But as I bent down to pick them up, he brought up his knee suddenly and almost broke my neck.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">\u201cLooking for a stone, were you, eh ?\u201d<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">I shook my head and it hurt so much I couldn\u2019t stop shaking my head any more. There were running feet behind me ; my mother\u2019s and my sister\u2019s voices. There was the sharp report of firing. Mother, struck in mid-stride, her body held rigid by the acrid air, was staring straight through her eyes. A second later, something broke inside her and she toppled over. My sister\u2019s outstretched hand, coming up to touch my face, flew to her opening mouth and I could see her straining her vocal muscles to scream through my mouth.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">Mother died in the ambulance.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">The sun was screaming soundlessly when I buried her. There were hot and cold rings around its wet brightness. My sister and I, we walked the four miles back home, passing the Africans Only hospital, the Europeans Only hospital, the British South Africa Police camp, the Post Office, the railway station, and walked across the mile-wide green belt, and walked into the black township.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><span class=\"s1\">The room was so silent I could feel it trying to move its tongue and its mandibles, trying to speak to me. I was staring up at the wooden beams of the roof. I could hear my sister pacing up and down in her room which was next to mine. I could feel her strongly inside me. My room contained nothing but my iron bed, my desk, my books, and the canvases upon which I had for so long tried to paint the feeling of the silent but desperate voices inside me. I stung back the tears and felt her so strongly inside me I could not bear it. But the door mercifully opened and they came in leading her by the hand. She was dressed in pure white. A pale blue light was emanating from her. On her slender feet were the sandals of gleaming white leather. But the magnet of her fleshless face, the two empty eye-sockets, the sharp grinning teeth (one of her teeth was slightly chipped), and high cheekbones, and the cruelly missing nose - the magnet of them held my gaze until, it seemed, my straining eyes were abruptly sucked into her rigid stillness.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">He was dressed in black. Her fleshless hand lay still in his fleshless fingers. His head had not been sewn back properly ; it was precariously leaning to one side and it seemed as if it would fall off any moment. His skull had a jagged crack running down from the centre of the forehead to the tip of the lower jaw ; the skull had been crudely welded back into shape, so much so it looked as though it would fall apart any moment.<\/span><\/p>\n<p class=\"p1\"><span class=\"s1\">The pain in my eyes was unbearable. I blinked. When I opened my eyes they had gone. My sister was standing in thier place. She was breathing heavily and that made my chest ache. I held out my hand and touched her : she was warm and alive and her very breath was painfully anxious in my voice. I had to speak ! but before I could utter a single sound she bent down over me and kissed me. The hot flush of it shook us in each other\u2019s arms. Outside, the night was making a muffled gibberish upon the roof and the wind had tightened its hold upon the windows. We could hear, in the distance, the brass and strings of a distant military band.<\/span><\/p>\n<p><em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\"><em><span class=\"s1\">Dambudzo Marechera<\/span><\/em><\/p>\n<p class=\"p1\"><em><span class=\"s1\">[in 'The Peguin Book of Southern African Stories', Ed. Stephen Grey, Peguin 1985]<\/span><\/em><\/p>\n<p><em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<p class=\"p1\" style=\"text-align: center\">***<\/p>\n<p><em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Dambudzo Marechera, writer from Zimbabwe, died by Aids, text : &#8216;The Slow Sound of his Feet&#8217;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[250,64],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/19031"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=19031"}],"version-history":[{"count":1,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/19031\/revisions"}],"predecessor-version":[{"id":22568,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/19031\/revisions\/22568"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=19031"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=19031"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=19031"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}