{"id":13232,"date":"2016-06-06T12:00:17","date_gmt":"2016-06-06T11:00:17","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=13232"},"modified":"2016-06-06T12:00:17","modified_gmt":"2016-06-06T11:00:17","slug":"telerama-nov-2011","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/telerama-nov-2011\/","title":{"rendered":"Telerama &#8211; Nov 2011"},"content":{"rendered":"<div id=\"metaslider-id-13229\" style=\"max-width: 1500px;\" class=\"ml-slider-3-70-0 metaslider metaslider-flex metaslider-13229 ml-slider ms-theme-radix has-dots-nav\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Presse T\u00e9l\u00e9rama diapo\">\n    <div id=\"metaslider_container_13229\">\n        <div id=\"metaslider_13229\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: block; width: 100%;\" class=\"slide-13205 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-13205\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/06\/Telerama-Nov2011-PhotoA.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-13229 slide-13205\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-13203 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-13203\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/06\/Telerama-Nov2011-DeparaB.jpg\" height=\"0\" width=\"1500\" alt=\"REVUE NOIRE revue de presse: T\u00e9l\u00e9rama nov 2011 par Fr\u00e9d\u00e9rique Chapuis. Revue Noire \u00e0 Paris Photo\" class=\"slider-13229 slide-13203\" \/><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<p>by FR\u00c9D\u00c9RIQUE CHAPUIS Revue Noire and African photo at Paris Photo fair<\/p>\n","protected":false},"excerpt":{"rendered":"<p>REVUE NOIRE press review: T\u00e9l\u00e9rama Nov 2011 by Fr\u00e9d\u00e9rique Chapuis. Revue Noire at Paris Photo fair, focus on African photography<\/p>\n","protected":false},"author":2,"featured_media":13204,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[68],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/13232"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=13232"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/13232\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/13204"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=13232"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=13232"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=13232"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}