{"id":12376,"date":"2016-05-13T14:04:24","date_gmt":"2016-05-13T13:04:24","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=12376"},"modified":"2016-05-31T14:10:36","modified_gmt":"2016-05-31T13:10:36","slug":"antananarivo-154-new-york-2016","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/antananarivo-154-new-york-2016\/","title":{"rendered":"Antananarivo, 1:54 New York 2016"},"content":{"rendered":"
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\"'Antananarivo<\/a>
'Antananarivo Love Playfield Dead Tree Of My New Life' by Jo\u00ebl Andrianomearisoa, booth Sabrina Amrani Gallery, 1:54 New York, May 2016<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>
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Solo show -\u00a0Jo\u00ebl Andrianomearisoa<\/h1>\n

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1:54\u00a0Contemporary African Art Fair<\/p>\n

\u00a0Sabrina Amrani Gallery<\/a>\u00a0booth, New York, May 2016<\/p>\n

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After his spectacular\u00a0and poetic installation \"The House Sentimental ', a tribute\u00a0to the story of Revue Noire at the Dakar Biennial 2016 (see HERE<\/a>), Joel Andrianomearisoa exhibit\u00a0at 1:54 Contemporary African Art Fair in New York (May 2016) his last works 'Antananarivo Love Playfield Dead Tree of My New Life' on the Sabrina Amrani Gallery booth, its Madrid gallery.<\/p>\n

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1:54 (with London and New York fair) is a platform for galleries, artists, curators, art centres and museums involved in African and Africa related projects and aims to promote art by established and emerging talents amongst an international audience.<\/p>\n

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\"Jo\u00ebl<\/a>
Jo\u00ebl Andrianomearisoa, 'Antananarivo Love Playfield Dead Tree of My New Life', installation, 2016<\/figcaption><\/figure>\n

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Other\u00a0EXhibitions of\u00a0JO\u00cbL ANDRIANOMEARISOA<\/h2>\n

(first half 2016)<\/p>\n

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- LA MAISON SENTIMENTALE<\/h3>\n

Dakar Bienniale 2016, Le Man\u00e8ge, solo project, Dakar, Senegal<\/p>\n

4 May\u00a0- 30 June\u00a02016<\/p>\n

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- AUDEMARS PIGUET PRIZE\u00a0<\/h3>\n

Laureate Jo\u00ebl Andrianomearisoa<\/p>\n

ArcoLisboa 2016, solo show, Lisbon,\u00a026-29 May\u00a02016<\/p>\n

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- BETWEEN STRUCTURE AND MATTER -\u00a0OTHER MINIMAL FUTURES<\/h3>\n

Aicon Gallery, New York,\u00a0group show,\u00a026 May\u00a0- 2 July\u00a02016<\/p>\n

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- VIRAGE<\/h3>\n

Galerie de Roussan, Paris,\u00a0group show,\u00a021 May\u00a0- 2 July\u00a02016<\/p>\n

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- NOT REALLY REALLY\u00a0<\/h3>\n

Fr\u00e9d\u00e9ric de Goldschmidt collection,\u00a0group show, Bruxelles,\u00a019 April\u00a0- 25 June\u00a02016\u00a0<\/p>\n

http:\/\/www.notreallyreally.com<\/a><\/p>\n

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- COMME SUR DU PAPIER\u00a0<\/h3>\n

Frac R\u00e9union,\u00a0group show,\u00a020 February\u00a0- 29 May\u00a02016<\/p>\n

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- IV AUDEMARS PIGUET PRIZE -\u00a0ARCOMADRID 2016\u00a0<\/h3>\n

JO\u00cbL ANDRIANOMEARISOA (laureate)\u00a0<\/p>\n

http:\/\/thelabyrinthofpassions.com<\/a><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"

At the 1:54 Contemporary African Art Fair 2016 in New York, Jo\u00ebl Andrianomearisoa presents a solo show on Sabrina Amrani Gallery booth called \u2019Antananarivo Love Playfield Dead Tree of My New Life\u2019. <\/p>\n","protected":false},"author":2,"featured_media":12352,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/12376"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=12376"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/12376\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/12352"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=12376"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=12376"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=12376"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}