{"id":12327,"date":"2016-05-13T10:38:47","date_gmt":"2016-05-13T09:38:47","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=12327"},"modified":"2016-10-10T16:40:25","modified_gmt":"2016-10-10T15:40:25","slug":"new-delhi-art-fair-2016","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/new-delhi-art-fair-2016\/","title":{"rendered":"New Delhi Art Fair 2016"},"content":{"rendered":"
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New Delhi Art Fair 2016, Solo project by Jo\u00ebl Andrianomearisoa<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div>
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Joel Andrianomearisoa Naked Paper<\/h1>\n

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by\u00a0Jean Loup Pivin, New Delhi, January\u00a02016<\/p>\n

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SOLO PROJECT by\u00a0JO\u00cbL ANDRIANOMEARISOA<\/h2>\n

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with\u00a0Sabrina Amrani Galery, Madrid, Spain<\/p>\n

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The paper tears and flows as angry ball. An impossible love letter writing? A letter of helplessness to build a new utopia?<\/p>\n

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Meanwhile, Joel paper leaves fly to the wind, even if they remain attached to his hand. No, they don\u2019t fly away, they float, like banners more than an affirmation of identity.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>

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PAPERS\u00a0! one request us, always with the fear of withdrawned or lost them. We wish to spread a white and light sheet, leaving us free to fill it or leave it virgin, as the celebration of our virginity future, because our past is no more there. Probably what I feel seeing these paper waves of calm or raging sea: the freedom of my future.<\/p>\n

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Paper made that steel, wood, stone are not... it says simply and faster its time. It said an so fragile eternity, it makes up vain word. Yet papyrus, parchment or coatting, it crosses history and with irony - as the most fragile of all - it freezes time, thoughts, significant or simple acts of life for States as life of each one. And also verse of words but also of gestures.<\/p>\n

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The Jo\u00ebl paper washed his words. He is naked... Nothing to do with the white sheet of the writer lacking inspiration.<\/p>\n

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HERE, his words have no place and are replaced by shivering, vibration and movement of the free paper or the book page, fliped, dog-eared, crumpled, folded, torn.<\/p>\n

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THERE his words distill loneliness, slow phrases and anamorphosis without mirror to grasp the hidden form.<\/p>\n

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Paper, words, paper without words, and now words without paper. The display included new pages like the finite and the infinite of mixing sign and language. It vibrates at random to the extent where randomness is dictated as a serial music from a long time ago. If the display has taken words, it didn\u2019t take paper that can exist without words and develop its own random without specific program. And flourishing over another poem, another art, freed of words and drawing, and by the hand vogue from world to world, never feeling stranger.<\/p>\n

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by\u00a0J.L. Pivin<\/p>\n

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A\u00a0night in Black in the Switzerland\u00a0Ambassy\u00a0in India<\/h2>\n

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As every\u00a0year\u00a0during the New Delhi Art Fair, the Switzerland Ambassy in India celebrated the event with a big party in its\u00a0Corbusean building. This year 2016, the Ambassador has entrustes\u00a0his house for a night to\u00a0Joel Andrianomearisoa who managed\u00a0the whole and, as usual, dressed all in BLACK.<\/p>\n

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[run the slideshow below]<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div>

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    New Delhi Art Fair, f\u00eate \u00e0 l'Ambassade de Suisse organis\u00e9e par Jo\u00ebl Andrianomearisoa, janvier 2016\n<\/div><\/div><\/li>\n
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    New Delhi Art Fair, January 2016, India. Solo project by Jo\u00ebl Andrianomearisoa : Le Papier Nu (The Naked Paper), with Sabrina Amrani Galery. And the night at the Swiss Ambassy in India managed by the artist.<\/p>\n","protected":false},"author":2,"featured_media":12320,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/12327"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=12327"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/12327\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/12320"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=12327"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=12327"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=12327"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}