{"id":1223,"date":"2016-04-10T12:00:49","date_gmt":"2016-04-10T11:00:49","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=1223"},"modified":"2022-02-24T12:29:45","modified_gmt":"2022-02-24T11:29:45","slug":"joel-andrianomearisoa","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/joel-andrianomearisoa\/","title":{"rendered":"Jo\u00ebl Andrianomearisoa &#8211; Art"},"content":{"rendered":"<div id=\"pl-1223\"  class=\"panel-layout\" ><div id=\"pg-1223-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-1223-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1223-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<figure id=\"attachment_10199\" aria-describedby=\"caption-attachment-10199\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISO-RevueNoire-LabyrintheDesPassions02-300x500cm-2013.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10199\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISO-RevueNoire-LabyrintheDesPassions02-300x500cm-2013.jpg\" alt=\"Jo\u00ebl Andrianomearisoa, 'Black Paper', detail, 2014\" width=\"1500\" height=\"1948\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISO-RevueNoire-LabyrintheDesPassions02-300x500cm-2013.jpg 1500w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISO-RevueNoire-LabyrintheDesPassions02-300x500cm-2013-231x300.jpg 231w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISO-RevueNoire-LabyrintheDesPassions02-300x500cm-2013-768x997.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISO-RevueNoire-LabyrintheDesPassions02-300x500cm-2013-789x1024.jpg 789w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><figcaption id=\"caption-attachment-10199\" class=\"wp-caption-text\">Jo\u00ebl Andrianomearisoa, 'Black Paper', detail, 2014<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-1223-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-1223-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>Visual art<\/h3>\n<p>.<\/p>\n<p>(Madagascar\u00a0\u2013 France)<br \/>\nartist official site : <a href=\"http:\/\/studiojoelandrianomearisoa.com\/\">studiojoelandrianomearisoa.com<\/a><\/p>\n<p>.<\/p>\n<p>born in\u00a01977 (Antananarivo)<\/p>\n<p>lives and works in\u00a0Paris, Magnat l'\u00c9trange (in the center of\u00a0France) and Antananarivo<\/p>\n<p>.<\/p>\n<p>Enriched with knowlegdges\u00a0of Madagascar (fibers, silk or species of rare plants) and trained as architect at the Ecole Speciale d'Architecture with Odile Decq, sensitive to all materials (fabric and paper to plastics), with dark atmospheres (black is the color reference), Joel Andrianomearisoa plays with all techniques: drawing, installation, performance, video, photography\u2026<\/p>\n<h3>.<\/h3>\n<p>Many of his works involve human relationships where friendship, love, passion, hope as despair, nostalgia to the impossibility of being are staged without a priori nor other disuse. His work always expresses a form of fragility as an essential life force. As for\u00a0example with the works 'Labyrinth of Passions' (Audemars Piguet Price - ARCO 2016) or 'De Profundis' (solo exhibition at Sabrina Amrani Gallery, Madrid, 2015).<\/p>\n<p>.<\/p>\n<p>But Joel Andrianomearisoa also knows how to handle humor with 'Sentimental Products' where everyday objects are diverted by their titles or through their presentations. Ready-made like 'The Complex Variations in Love and Romance' shows a root node cellophane pouch, 'Sado Maso Party' is a bag of\u00a0black clothespins,' Midnight-Minuit' a cut needle heel shoe in half, 'The Young and the Restless' a bundle of small pieces of wood\u00a0or 'Triumphant Love' a black painted porcelain tureens.<\/p>\n<p>.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-1223-1\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-row-style panel-row-style-for-1223-1\" ><div id=\"pgc-1223-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-1223-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>[run the slideshow below]<\/p>\n<div id=\"metaslider-id-10815\" style=\"max-width: 1500px;\" class=\"ml-slider-3-70-0 metaslider metaslider-flex metaslider-10815 ml-slider ms-theme-radix has-dots-nav\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Andrianomearisoa diaporama\">\n    <div id=\"metaslider_container_10815\">\n        <div id=\"metaslider_10815\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: block; width: 100%;\" class=\"slide-10214 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10214\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-Sentimental-Products-AmourBrise.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10214\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'Amour bris\u00e9', mix media, 2015<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10188 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10188\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Andrianomearisoa-LabyrinthePassions-White-AudemarsPiguet-Prix-Arco2016-.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10188\" \/><div class=\"caption-wrap\"><div class=\"caption\">Jo\u00ebl Andrianomearisoa, 'Le Labyrinthe des Passions-White' detail, Audemars Piguet - Arco Prize 2016, courtesy Sabrina Amrani Gallery<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10182 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10182\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Andrianomearisoa-LabyrinthePassions-AudemarsPiguet-Prix-Arco2016-992.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10182\" \/><div class=\"caption-wrap\"><div class=\"caption\">Jo\u00ebl Andrianomearisoa, 'Le Labyrinthe des Passions' detail, Audemars Piguet - Arco Prize 2016, courtesy Sabrina Amrani Gallery<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10184 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10184\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Andrianomearisoa-LabyrinthePassions-AudemarsPiguet-Prix-Arco2016-9894.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10184\" \/><div class=\"caption-wrap\"><div class=\"caption\">Jo\u00ebl Andrianomearisoa, 'Le Labyrinthe des Passions' detail, Audemars Piguet - Arco Prize 2016, courtesy Sabrina Amrani Gallery<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10186 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10186\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Andrianomearisoa-LabyrinthePassions-AudemarsPiguet-Prix-Arco2016-9897.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10186\" \/><div class=\"caption-wrap\"><div class=\"caption\">Jo\u00ebl Andrianomearisoa, 'Le Labyrinthe des Passions' detail, Audemars Piguet - Arco Prize 2016, courtesy Sabrina Amrani Gallery<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10229 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10229\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/JoelAndrianomearisoa-Negociations-sentimentales-Slick2013-1.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10229\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'N\u00e9gociations sentimentales', mix media, 2012<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10206 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10206\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-NegociationsSentimentales-RevueNoire.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10206\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'N\u00e9gociations sentimentales', detail, mix media, 2012<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10204 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10204\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-MOONLIGHT150X240CM-2010.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10204\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'Labyrinthe des Passions-White', 150x250cm, mix media, 2014<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10200 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10200\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-ArtParis-ILoveYouBlancWeb-1500x1125.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10200\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'I Love You', papier 2013<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10212 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10212\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-Tana03.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10212\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'Lova', photo, Madagascar 2000<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10202 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10202\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-MemoryBox.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10202\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'Memory Box' mix media, 2009<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10220 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10220\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-JA178-1-200x200cm-textile.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10220\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'Labyrinthe des Passions-Noir Vinyl', detail, 550x700cm, mix media, 2012<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10208 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10208\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-papier02.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10208\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'En l'attente de l'aube qui nous surprendra aux rives du sommeil', detail, mix media, 2012<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10218 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10218\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-Istanbul-01.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10218\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, 'Tableau de mode', performence, Topkapi, Istanbul 2004<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10222 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10222\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/ANDRIANOMEARISOA-KettlyNoel-JeNeSuisPasUneFemmeNoire-Wien-02-1500x1125.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10222\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa et Kethly Noel, 'Je ne suis pas une femme noire', chor\u00e9graphie, 2015-2016<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10216 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10216\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/MADA_ANDRIANOMEARISOA-recto_PH001.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10815 slide-10216\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 Jo\u00ebl Andrianomearisoa, Portrait pour Revue Noire, photo, 1995<\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<h1>.<\/h1>\n<h1>ALCHIMy<\/h1>\n<p>by\u00a0Virginie Andriamirado<\/p>\n<p>.<\/p>\n<p>At first glance, seeing is lost, mislaid in the space of the artwork. One does not know to approach it, an imperceptible field open to fashion, architecture, photography and video. The art of Jo\u00ebl Andrianomearisoa is born from these hybrid exchanges. In his world, everything becomes material.<\/p>\n<p>In 'L\u2019Etrange\u201d ( video 2007 ), Andrianomearisoa films nature in its slightest shivers. He reveals its strangeness without stating it, and delivers it to the eye like a first dawn. Nature fills the space and captures the emerging body-memory. Intrusively and secretely, he caresses and excavates the depths of the vegetative material. In the darkest hours of the night, his flames outline the present in black.<\/p>\n<p>If it were necessary to find common strands in his work, time and the body would be his poetic vectors. 'The only thing that matters to me is to deal with time. And what frightens me most is never to be on time, to be outdated. My way of answering this challenge is to be permanently against the current,' he says. Andrianomearisoa\u2019s work puzzles because it builds itself, against the flow of time, in movement, a back-and-forth between assertion and negation.To build or deconstruct, to dress or undress, to fill or empty, to wrinkle or fold, to light up or turn off-the artist is situated between these opposing forces that, according to him, combine rather than conflict. In these paradoxical connections, the works offer infinite propositions.<\/p>\n<dl id=\"attachment_3939\">\n<dt>\n<h3>.<\/h3>\n<h3>THE COLORS OF BLACK<\/h3>\n<\/dt>\n<\/dl>\n<p>Black, as a color, is the cornerstone of his work and is omnipresent in his process. Far from being monochromatic, Andrianomearisoa\u2019s black is one and a thousand colors at the same time. The all-black choice is a permanent challenge that urges the artist to reinterpret and renew the color unceasingly. Depending on the material, composition and lighting angle, his blackness unfolds in endless nuance.<\/p>\n<p>'For me it is a challenge. In every piece, i have to find various colors, different postures of black, says the artist. It is not only the color, but also an attitude that does not exclude the rest. It aims toward the universal. Black is amazing, disturbing, but it is present and makes sense everywhere.' Black can embody austerity and minimalism, but it gives the artist the freedom to deconstruct and disintegrate the structure of the work. Black gives him the freedom of exuberance.<\/p>\n<h3>THE FABRIC OF THE DREAMS<\/h3>\n<p>From the beginning, textiles have been recurrent elements of Andrianomearisoa\u2019s work. As he extracts all their possibilities, he gives the materials a polyphony that becomes language, the language of a material that lets itself be split up, folded,creased or mixed.\u00a0The variety and superposition of fabrics in his tapestries give them an architectural density that recalls stone. 'I like the flexibility of the fabric, which allows all the combinations through tying, weaving, cutting, matching. It carries a language that can go very far,' he says.<\/p>\n<p>The recurrence of fabric may echo the lamba, the ubiquitous textile form of Madagascar. It is a garment in daytime and a blanket at night, and also a shroud to wrap the body. The way one wears the wrap, its material and its number of stripes indicate social position, age and origin.<\/p>\n<h3>.<\/h3>\n<h3>\u201cLA VIE DANS LES PLIS\u201d * ( LIFE IN THE FOLDS )<\/h3>\n<p>Andrianomearisoa is always on the edges. He does not approach his work in a direct way, but places it at the edges of the desires of whomever discovers it. His work comes down to a question of posture. He listens to the pulses of life with more generosity than they are given, and finds a way to be present in the world dans le nu de la vie, 'in the nude of life'.**<\/p>\n<p>Urban space is a primary interest as well. The noises, smells, images, lights and incessant movement that generate city life compose his universe without imprisoning him in a specific geographical space. His images take viewers to places even the artist does not expect to be. 'I need to be surprised by images. The situation has to be completely staggered. I do not consider myself as a photographer\u00a0; I am someone who makes images,' he says.<\/p>\n<p>To compose a work, the artist needs a basic frame. Then the experiments begin, the manipulations that outline the project. 'The work arises from various manipulations that lead me to the final result. When I set up an installation, I do not imagine its finality. I know the elements that compose it, but in the intant I set them up I discover something else. And that is when the work makes sense,' Andrianomearisoa says.<br \/>\nHis poetic virtuosity lies in his capacity to seize this moment of signification, when nobody can tell beginning from end.<\/p>\n<p>.<\/p>\n<p>by Virginie Andriamirado<\/p>\n<p>critic,\u00a0about the exhibition \u201cFlow\u201d, Studio Museum of Harlem, NY, April 2008<\/p>\n<p>* \u201cla vie dans les plis\u201d (Life in the Folds) title of a collection of poems by Henry Michaux (1949, Gallimard Ed. Paris 1990)<\/p>\n<p>** \u201cDans le nu de la vie\u201d (In the Nude of Life) title of a novel by Jean Hatzfeld (Le Seuil Ed. Paris 2002)<\/p>\n<h2>.<\/h2>\n<p>LInks<br \/>\n\u2013 Sabrina Amrani, gallery, Madrid, Spain \/\u00a0<a href=\"http:\/\/www.sabrinaamrani.com\">www.sabrinaamrani.com<\/a><br \/>\n\u2013 Primo Marella galleria, Milan, Spain \/\u00a0<a href=\"http:\/\/www.primomarellagallery.com\">www.primomarellagallery.com<\/a><\/p>\n<p>\u2013 Revue Noire,\u00a0Paris \/ <a href=\"http:\/\/www.revuenoire.com\">www.revuenoire.com<\/a><\/p>\n<p>\u2013 Artist official site \/\u00a0<a href=\"http:\/\/studiojoelandrianomearisoa.com\/\">www.joelandrianomearisoa.fr<\/a><\/p>\n<p>\u2013 \u2018Sentimental Products\u2019 site \/\u00a0<a href=\"http:\/\/www.sentimentalproducts.com\">www.sentimentalproducts.com<\/a><\/p>\n<p>\u2013 Site du IV Audemars Piguet Price, 2016 \/\u00a0<a href=\"http:\/\/www.thelabyrinthofpassions.com\">www.thelabyrinthofpassions.com<\/a><\/p>\n<h2>.<\/h2>\n<h2>BIOGRAPHy<br \/>\n.<\/h2>\n<p>SHOW \/ PERFORMANCE \/ PROJECTS<\/p>\n<p>2016 \/<\/p>\n<p>IV AUDEMARS PIGUET PRIZE \u2013\u00a0ARCOMADRID 2016<\/p>\n<p>DUBAI ART FAIR, March 2016, Sabrina Amrani Gallery<\/p>\n<p>'COMME SUR DU PAPIER',\u00a0group show, Frac R\u00e9union,\u00a020 february \u2013 May 2016, La\u00a0R\u00e9union<\/p>\n<p>2013 \/<br \/>\nSolo Exhibition\u00a0'Sentimental', Revue Noire Paris<\/p>\n<p>exhibit\u00a0'Sur la Mauvaise pente', Galerie De Roussan (Paris) with Palais de Tokyo group exhibits 'Nouvelles Vagues'<\/p>\n<p>'Sentimental Exchange', performence, Espace Litt\u00e9raire Louis Vuitton, Paris<\/p>\n<p>'L\u2019Echapp\u00e9e belle', Grand Palais, Paris<br \/>\nSlick Art Brussels, Solo Slick Project<\/p>\n<p>2012 \/<br \/>\n'THE PROGRESS OF LOVE', MENIL COLLECTION . HOUSTON . USA<br \/>\nSLICK ART PARIS, SOLO SLICK PROJECT<br \/>\n'SERICUM GRAPHEIN' . GLASSBOX GALLERY . CURATED BY KAISERIN . PARIS . FRANCE<\/p>\n<p>'21\u00d729,7' . GALERIE DE ROUSSAN . PARIS . FRANCE<\/p>\n<p>'WAITING FOR THE SEVENTH DAY THAT WILL BRING US TOGETHER' . JACK BELL GALLERY . LONDON .\u00a0UK<br \/>\n'NEGOCIATIONS SENTIMENTALES', SLICK ART FAIR PARIS . REVUE NOIRE . PARIS . FRANCE<\/p>\n<p>2011 \/<\/p>\n<p>MINIARTEXTIL 2011 . MILANO . COMO . ITALY<br \/>\n'EAT ME' . GOODMAN GALLERY . CAPE TOwN . SOUTH AFRICA<br \/>\n'AFRICA !' . GALERIE HUSSENOT . PARIS . FRANCE<\/p>\n<p>'0621146952' \u00a0L\u2019inlassable Galerie Paris France<\/p>\n<p>'Le temps d\u2019une rencontre ou pour toujours' Universit\u00e9 du Tampon'\u00a0La Reunion island<\/p>\n<p>'En l\u2019attente de l\u2019aube qui nous surprendra aux rives du sommeil' \/ Nomad Gallery \/ Brussels art days \/ Brussels \/ Belgium<\/p>\n<p>'Le temps d\u2019une rencontre ou pour toujours' \/ Galerie B\u00e9atrice Binoche \/ Saint Denis \/ La Reunion island<\/p>\n<p>'H\u00f4tel des R\u00eaves' \/ H\u00f4tel du Louvre \/ Antananarivo \/ Madagascar<\/p>\n<p>2010 \/<br \/>\n'A PERFECT KIND OF LOVE' \/ GOODMAN GALLERY \/ JOHANNESBURG \/ SOUTH AFRICA<\/p>\n<p>'A COLLECTIVE DIARY' \/\u00a0GROUP SHOW \/ Herzliya\u00a0Museum\u00a0of Contemporary Art \/ TEL AVIV \/ ISRAEL<br \/>\n'OUT OF THE WALL' \/ GROUP SHOW \/ GUSTAVSBERGS KONSTHALL \/ STOCKHOLM \/ SWEDEN<\/p>\n<p>2009 \/<br \/>\nSPHERES 2009 \/\u00a0GROUP SHOW \/ GALLERIA CONTINUA \/ GOODMAN GALLERY \/ LE MOULIN \/ France<br \/>\nREGARD SPECIAL SUR LA TURQUIE \/ GROUP SHOW \/ ECOLE SPECIALE D\u2019ARCHITECTURE \/ PARIS \/ FRANCE<br \/>\n8EME RENCONTRES DE BAMAKO \/ 8TH BAMAKO ENCOUNTERS \/ AFRICAN PHOTOGRAPHY BIENNAL \/ BAMAKO \/ MALI<br \/>\nART BASEL 2009 \/ THE GOODMAN GALLERY<br \/>\nPANAF \/ GROUP SHOW \/ RELECTURES \/ ALGIERS \/ ALGERIE<br \/>\nI DON\u2019T KNOW HOW TO BEGIN, I DON\u2019T KNOW HOW IT WILL END \/ SOLO SHOW \/ AKSENT GALLERY \/ GENT \/ BELGIUM<br \/>\nJOBURG ART FAIR \/ JOHANNESBURG \/ SOUTH AFRICA<br \/>\n20 ANS ET ENCORE A LA MODE \/ GROUP SHOW \/ MUS\u00c9E D\u2019ART ET D\u2019HISTOIRE \/ CHOLET \/ FRANCE<br \/>\nWORKSHOP \/ CONSERVATOIRE DES ARTS ET MULTIMEDIA \/ BAMAKO \/ MALI<br \/>\nAFRICA NOW\u00a0! \/ GROUP SHOW \/ WORLD BANK \/ WASHINGTON \/ USA<\/p>\n<p>2008 \/<br \/>\nUNE HISTOIRE \/ SOLO SHOW \/ CCAC \/ ANTANANARIVO \/ MADAGASCAR<br \/>\nREVUE NOIRE COLLECTION \/ GROUP SHOW \/ NAAC-ATELIER \/ NANTES \/ FRANCE<br \/>\nAFRICA NOW\u00a0! \/ GROUP SHOW \/ WORLD BANK \/ WASHINGTON \/ USA<br \/>\nFLOW \/ STUDIO MUSEUM HARLEM \/ NEW YORK \/ USA<br \/>\nQANTARA PROJECT \/ INSTITUT DU MONDE ARABE \/ PARIS \/ FRANCE<br \/>\nBLACK PARIS \u2013 BLACK BRUSSELS \/ MUS\u00c9E D\u2019IXELLES \/ BRUSSELS \/ BELGIUM<br \/>\nC\u0152URS \u00c0 VENDRE \/ GALERIE A PART \/ BAGNOLET \/ FRANCE<br \/>\nCHEZ ROSETTE \/ COLLABORATION WITH KETTLY NO\u00cbL \/ MONTPELLIER DANSE \/ LA VILLETTE\u00a0 PARIS \/ G\u00d6TEBORG DANCE FESTIVAL \/ MAISON DE LA DANSE LYON \u2026<br \/>\nCOVER BOOK FOR PAYOT EDITIONS \/ PARIS \/ France<\/p>\n<p>2007 \/<br \/>\nBLACK OUT \/ SOLO SHOW \/\u00a0GALERIE :MENTALKLINIK \/ ISTANBUL \/ TURKEY<br \/>\n30 ET PRESQUE-SONGES \/ SHOW CURATED BY JO\u00cbL ANDRIANOMEARISOA \/?WITH\u00a0: ODILE DECQ, PASCALE MARTHINE TAYOU, HUGO GODART, ERIC VAN HOVE, VINCENT DUBOURG, BILI BIDJOCKA, INGRIDMWANGIROBERTHUTTER, KETTLY NO\u00cbL \u2026 ANTANANARIVO \/ MADAGASCAR<br \/>\nL\u2019INVENTION DE LA M\u00c9MOIRE \/ SAINT DENIS \/ REUNION ISLAND<br \/>\nI LOVE YOU POSITIVE OR NEGATIVE \/ ESPACE MICHEL SIMON \/ NOISY-LE-GRAND \/ FRANCE<br \/>\nAFRICA REMIX \/ JOHANNESBURG ART GALLERY \/ SOUTH AFRICA<br \/>\nBIDIBIBOBIDIBOO \/ SHOW AND WORKSHOP \/ ECOLE DES BEAUX ARTS \/ LE PORT \/ REUNION ISLAND<br \/>\nGOOOOD FOOD BIS \/ MAISON DESCARTES \/ AMSTERDAM \/ NETHERLANDS<br \/>\nPARIS BLACK \/ MUSEUM DER WELTKULTUREN \/ FRANKFURT \/ GERMANY<br \/>\nPROPOS LIBRES \/ PERFORMANCE, VIDEO INSTALLATION \/ LA PASSERELLE \/ SAINT-BRIEUC \/ FRANCE<br \/>\nCORRESPONDANCES \/ SCENOGRAPHY \/ CHOREOGRAPHY BY KETTLY NO\u00cbL AND NELISIWE XABA \/ RENCONTRES CHOREGRAPHIQUES SEINE SAINT DENIS \/ PAVILLON NOIR \u2026<\/p>\n<p>2006 \/<br \/>\nNOMADIC ARTIST \/ WESTERN DESERT \/ EGYPT<br \/>\nBIENNALE DU DESIGN \/ SAINT ETIENNE \/ FRANCE<br \/>\nWORKSHOP \/ MAISON DE LA CULTURE \/ N\u2019DJAMENA \/ TCHAD<br \/>\nDRESSING THE CONTEMPORARY \/ PROGR \/ BERN \/ SWITZERLAND<br \/>\nAFRICA REMIX \/ MODERNA MUSSET \/ STOCKHOLM \/ SWEDEN<br \/>\nAFRICA REMIX \/ MORI ART MUSEUM \/ TOKYO \/ JAPAN<br \/>\nPARIS BLACK \/ IWALEWA HAUS \/ BAYREUTH \/ GERMANY<br \/>\nARTISTS 4 LIFE \/ H\u00d4TEL SALOMON DE ROTHSCHILD \/ PARIS \/ FRANCE<br \/>\nHABILL\u00c9 \/ D\u00c9SHABILL\u00c9 \/ PERFORMANCE 6\u00c9ME RENCONTRES CHOR\u00c9GRAPHIQUES DE L\u2019AFRIQUE ET DE L\u2019OC\u00c9AN INDIEN \/ PARIS \/ FRANCE<br \/>\nBIENNALE DE LA HAVANE 2006 \/ HAVANA \/ CUBA<br \/>\nARTISTS 4 LIFE \/ ART PARIS 06 \/ GRAND PALAIS \/ PARIS \/ FRANCE<\/p>\n<p>2005 \/<br \/>\n6E RENCONTRES AFRICAINE DE LA PHOTOGRAPHIE \/ PERFORMANCE \/ BAMAKO \/ MALI<br \/>\nFASHION IN MOTION \/ VICTORIA &amp; ALBERT MUSEUM \/ PERFORMANCE \/ LONDON \/ ENGLAND<br \/>\nAFRICA REMIX \/ CENTRE POMPIDOU \/ PARIS \/ FRANCE<br \/>\nAFRICA REMIX \/ HAYWARD GALLERY \/ LONDON \/ ENGLAND<br \/>\nPHOTOANA \/ BIENNALE DE LA PHOTOGRAPHIE \/ ANTANANARIVO \/ MADAGASCAR<br \/>\nERRANCE \/ SCENOGRAPHY?CHOREOGRAPHY BY KETTLY NO\u00cbL, G\u00d6TEBORG DANCE FESTIVAL \/ RENCONTRES CHOREGRAPHIQUES SEINE SAINT DENIS \u2026<\/p>\n<p>2004 \/<br \/>\nBAR \/ SOLO SHOW \/ CCF \/ ANTANANARIVO \/ MADAGASCAR<br \/>\nAFRICA REMIX \/ MUSEUM KUNSTPALAST \/ D\u00dcSSELDORF \/ GERMANY<br \/>\nDU BOSPHORE \u00c0 LA MOINE, MUS\u00c9E D\u2019ART ET D\u2019HISTOIRE, MUS\u00c9E DU TEXTILE \/ CHOLET \/ FRANCE<br \/>\nBIR GECE (ONE NIGHT) \/ SOLO SHOW \/ TOPKAPI \/ MA\u00c7KA GALERIE \/ GALERIE\u00a0:MENTALKLINIK \/ INSTITUT FRAN\u00c7AIS D\u2019ISTANBUL \/ ISTANBUL \/ TURKEY<br \/>\nLILLE 2004 \/ ROUBAIX PHARE TEXTILE \/ MUS\u00c9E D\u2019ART ET D\u2019INDUSTRIE LA PISCINE \/ ROUBAIX \/ FRANCE<\/p>\n<p>2003 \/<br \/>\nPERFORMANCE \/ INSTITUT FRAN\u00c7AIS \/ ISTANBUL \/ TURKEY<br \/>\nPERFORMANCE \/ VID\u00c9O \/ ALLIANCE FRAN\u00c7AISE \/ PARIS \/ FRANCE<br \/>\nUNE PREMI\u00c8RE \/ SOLO SHOW \/ CCF \/ CGM \/ VILLA VANILLE \u2026 \/ ANTANANARIVO \/ MADAGASCAR<\/p>\n<p>2002 \/<br \/>\nPERFORMANCE \/ NRW FORUM \/ D\u00dcSSELDORF \/ GERMANY<br \/>\nFININ \/ TEXTILES DU MALI \/ SCENOGRAPHY \/ PAVILLON DES ARTS \/ PARIS \/ FRANCE<\/p>\n<p>2001 \/<br \/>\nARCHICOUTURE \/ CHAPELLE DE LA SORBONNE \/ PARIS \/ FRANCE<br \/>\nSAND UND SEIDE \/ IFA \/ STUTTGART \/ GERMANY<br \/>\nHABILL\u00c9 \u2013 D\u00c9SHABILL\u00c9 \/ PERFORMANCE \/ LE LIEU UNIQUE \/ NANTES \/ FRANCE<br \/>\nLES PLUS BELLES ROBES DU CIN\u00c9MA \/ SCENOGRAPHY \/ PAVILLON DES ARTS \/ PARIS \/ FRANCE<\/p>\n<p>2000 \/<br \/>\nPARIS POUR ESCALE \/ ARC MUS\u00c9E D\u2019ART MODERNE DE LA VILLE DE PARIS \/ PARIS \/ FRANCE<br \/>\nFUN FIVE FUN STORY \/ SHOW CURATED BY PASCALE MARTHINE TAYOU \/ NEW SOUTH ART GALLERY \/ SYDNEY \/ AUSTRALIA<\/p>\n<p>1999 \/<br \/>\nNUIT BLANCHE POUR REVUE NOIRE \/ PERFORMANCE \/ MC2A MIGRATIONS CULTURELLES \/ BORDEAUX \/ France<\/p>\n<h2>.<\/h2>\n<h2>BIBLIOGRAPHIE<br \/>\n.<\/h2>\n<p>'SENTIMENTAL PRODUCTS' by JO\u00cbL ANDRIANOMEARISOA \/ REVUE NOIRE<br \/>\n'SENTIMENTAL' by JO\u00cbL ANDRIANOMEARISOA \/ REVUE NOIRE<br \/>\n'YOUNGER THAN JESUS' \/ ARTIST DIRECTORY \/ NEW MUSEUM \/ PHAIDON<br \/>\n'RENCONTRES DE BAMAKO' 2009 \/ CATALOGUE<br \/>\nCATALOGUE 'PANAF ALGIERS' \/ RELECTURES<br \/>\n'AFRICA NOW' \/ EMERGING ARTIST FROM A CONTINENT ON THE MOVE<br \/>\n'FLOW' \/ CATALOGUE \/ STUDIO MUSEUM HARLEM \/ APRIL 2008<br \/>\n'AFRICA REMIX' \/ CATALOGUES \/ KUNSTPALAST, D\u00dcSSELDORF \/ HAYWARD GALLERY, LONDON \/ CENTRE POMPIDOU, PARIS \/ MORI ART MUSEUM, TOKYO \/ MODERNA MUSEET, STOCKHOLM \/ JOHANNESBURG ART GALLERY \/ SOUTH AFRICA<br \/>\n'GOOOOD FOOD \/ GOOOOD FOOD BIS' \/ CATALOGUE?BIENNALE INTERNATIONALE DE DESIGN ST ETIENNE 2006<br \/>\n'PARIS BLACK' \/ CATALOGUE<br \/>\n'BLACK PARIS' \/ BLACK BRUSSELS \/ CATALOGUE \/ 2008<br \/>\n'ONE MONTH OF LOVE' \/ ARTIST 4 LIFE?DESSINE L\u2019ESPOIR<br \/>\nSPIKE MAGAZINE \/ WINTER 2006<br \/>\nHIGH FASHION \/ AUGUST 2006<br \/>\nBIENNALE DE LA HAVANE 2006 \/ CATALOGUE<br \/>\nART ABSOLUMENT \/ MAGAZINE \/ SUMMER 2005<br \/>\nKUNSTFORUM \/ JANUARY 2005<br \/>\n303 \/ MAGAZINE \/ JANUARY 2005<br \/>\nBOSPHORE \u00c0 LA MOINE \/ CATALOGUE<br \/>\nROUBAIX PHARE TEXTILE, LILLE 2004 \/ CATALOGUE<br \/>\n'UNE PREMI\u00c8RE JO\u00cbL ANDRIANOMEARISOA' \/ \u00c9DITIONS REVUE NOIRE \/ MONOGRAPHY \/ 2003<br \/>\n'SANS UND SEIDE' \/ CATALOGUE<br \/>\n'PARIS POUR ESCALE' \/ ARC MAM \/ CATALOGUE<br \/>\n'FUN FIVE FUN STORY' \/ CATALOGUE<br \/>\nREVUE NOIRE, N\u00b026, N\u00b027, N\u00b031, N\u00b035<\/p>\n<h2>.<br \/>\nRevue Noire books<br \/>\nabout Jo\u00ebl Andrianomearisoa<\/h2>\n<figure id=\"attachment_9272\" aria-describedby=\"caption-attachment-9272\" style=\"width: 215px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/sentimental\/\" rel=\"attachment wp-att-9272\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-9272\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Sentimental-Andrianomearisoa-000-COUV-215x300.jpg\" alt=\"Sentimental\" width=\"215\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Sentimental-Andrianomearisoa-000-COUV-215x300.jpg 215w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Sentimental-Andrianomearisoa-000-COUV-768x1071.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Sentimental-Andrianomearisoa-000-COUV-734x1024.jpg 734w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Sentimental-Andrianomearisoa-000-COUV.jpg 1500w\" sizes=\"(max-width: 215px) 100vw, 215px\" \/><\/a><figcaption id=\"caption-attachment-9272\" class=\"wp-caption-text\">Sentimental<\/figcaption><\/figure>\n<figure id=\"attachment_8187\" aria-describedby=\"caption-attachment-8187\" style=\"width: 230px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/edition\/en\/sentimental-products\/\" rel=\"attachment wp-att-8187\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8187\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-SentimentalProducts-JAndrianomearisoa_Page_01-230x300.jpg\" alt=\"Sentimental Products\" width=\"230\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-SentimentalProducts-JAndrianomearisoa_Page_01-230x300.jpg 230w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-SentimentalProducts-JAndrianomearisoa_Page_01-768x1000.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-SentimentalProducts-JAndrianomearisoa_Page_01.jpg 780w\" sizes=\"(max-width: 230px) 100vw, 230px\" \/><\/a><figcaption id=\"caption-attachment-8187\" class=\"wp-caption-text\">Sentimental Products<\/figcaption><\/figure>\n<figure id=\"attachment_6835\" aria-describedby=\"caption-attachment-6835\" style=\"width: 229px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/30-almost-dreams\/\" rel=\"attachment wp-att-6835\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6835\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/RevueNoire-30PS-Andrianomearisoa-00-COUV-229x300.jpg\" alt=\"30 and Almost-Dreams\" width=\"229\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/RevueNoire-30PS-Andrianomearisoa-00-COUV-229x300.jpg 229w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/RevueNoire-30PS-Andrianomearisoa-00-COUV-768x1008.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/RevueNoire-30PS-Andrianomearisoa-00-COUV-780x1024.jpg 780w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/RevueNoire-30PS-Andrianomearisoa-00-COUV.jpg 1500w\" sizes=\"(max-width: 229px) 100vw, 229px\" \/><\/a><figcaption id=\"caption-attachment-6835\" class=\"wp-caption-text\">30 and Almost-Dreams<\/figcaption><\/figure>\n<figure id=\"attachment_8895\" aria-describedby=\"caption-attachment-8895\" style=\"width: 225px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/joel-andrianomearisoa\/\" rel=\"attachment wp-att-8895\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8895\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-Joel_Andrianomearisoa_Madagascar_Art_Photo_Design_Architecture_COUV-225x300.jpg\" alt=\"Tableau de Mode\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-Joel_Andrianomearisoa_Madagascar_Art_Photo_Design_Architecture_COUV-225x300.jpg 225w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-Joel_Andrianomearisoa_Madagascar_Art_Photo_Design_Architecture_COUV-768x1022.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-Joel_Andrianomearisoa_Madagascar_Art_Photo_Design_Architecture_COUV-769x1024.jpg 769w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-Joel_Andrianomearisoa_Madagascar_Art_Photo_Design_Architecture_COUV.jpg 900w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><figcaption id=\"caption-attachment-8895\" class=\"wp-caption-text\">Tableau de Mode<\/figcaption><\/figure>\n<figure id=\"attachment_5238\" aria-describedby=\"caption-attachment-5238\" style=\"width: 213px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/joel-andrianomearisoa\/\" rel=\"attachment wp-att-5238\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5238\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/01_RN26-RevueNoire26_Madagascar_Couv1.jpg-213x300.jpg\" alt=\"Magazine RN26 Madagascar\" width=\"213\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/01_RN26-RevueNoire26_Madagascar_Couv1.jpg-213x300.jpg 213w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/01_RN26-RevueNoire26_Madagascar_Couv1.jpg-768x1082.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/01_RN26-RevueNoire26_Madagascar_Couv1.jpg-727x1024.jpg 727w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/01_RN26-RevueNoire26_Madagascar_Couv1.jpg.jpg 1500w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a><figcaption id=\"caption-attachment-5238\" class=\"wp-caption-text\">Magazine RN26 Madagascar<\/figcaption><\/figure>\n<p>.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Jo\u00ebl Andrianomearisoa, Madagascar-France, born in 1977 (Antananarivo) \u2014 lives and works in Paris and Antananarivo. Sensitive to all materials (fabric and paper to plastics), with dark atmospheres (black is the color reference), Joel Andrianomearisoa plays with all techniques: drawing, installation, performance, video, photography\u2026<\/p>\n","protected":false},"author":1,"featured_media":10199,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[69],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/1223"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=1223"}],"version-history":[{"count":2,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/1223\/revisions"}],"predecessor-version":[{"id":22182,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/1223\/revisions\/22182"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/10199"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=1223"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=1223"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=1223"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}