{"id":11842,"date":"2016-04-19T18:21:49","date_gmt":"2016-04-19T17:21:49","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=11842"},"modified":"2016-06-03T12:17:31","modified_gmt":"2016-06-03T11:17:31","slug":"jeune-afrique-may-2011","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/jeune-afrique-may-2011\/","title":{"rendered":"Jeune Afrique &#8211; May 2011"},"content":{"rendered":"<div id=\"metaslider-id-11839\" style=\"max-width: 1500px;\" class=\"ml-slider-3-70-0 metaslider metaslider-flex metaslider-11839 ml-slider ms-theme-radix has-dots-nav\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Jeune Afrique - 30PS-Presse\">\n    <div id=\"metaslider_container_11839\">\n        <div id=\"metaslider_11839\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: block; width: 100%;\" class=\"slide-11835 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11835\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/JeuneAfrique-Mai2011-30PresqueSonges_Page_1-1500x2089.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11839 slide-11835\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11837 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11837\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/JeuneAfrique-Mai2011-30PresqueSonges_Page_2-1500x2076.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11839 slide-11837\" \/><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<p>&nbsp;<\/p>\n<p>by\u00a0NICOLAS MICHEL Pascal Marthine Tayou impales 1000 Revue Noire<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Article by NICOLAS MICHEL Pascal Marthine Tayou at Revue Noire in the exhibit &#8217;30 and Almost-Dreams&#8217; : his installation &#8216;F\u00e9tiche  Noir&#8217; (Black Fetishes) impales 1000 publications Revue Noire publishings.<\/p>\n","protected":false},"author":2,"featured_media":11838,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[68],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/11842"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=11842"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/11842\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/11838"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=11842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=11842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=11842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}