{"id":11482,"date":"2016-04-11T12:41:18","date_gmt":"2016-04-11T11:41:18","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=11482"},"modified":"2016-04-18T13:10:58","modified_gmt":"2016-04-18T12:10:58","slug":"silence","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/silence\/","title":{"rendered":"Silence"},"content":{"rendered":"<div id=\"pl-11482\"  class=\"panel-layout\" ><div id=\"pg-11482-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-11482-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-11482-0-0-0\" class=\"so-panel widget widget_sow-image panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-image so-widget-sow-image-default-6ec9e3772f75-11482\"\n\t\t\t\n\t\t>\n\n<div class=\"sow-image-container\">\n\t\t\t<a href=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07.jpg\"\n\t\t\t\t\t>\n\t\t\t<img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07.jpg\" width=\"1500\" height=\"1470\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07.jpg 1500w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07-300x294.jpg 300w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07-768x753.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07-1024x1004.jpg 1024w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" title=\"\u00a9 photo Rotimi Fani Kayode, &#039;Peeping Tom&#039;\" alt=\"\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), &#039;Lorne&#039;, gum-bichromate, 1989\" \t\tclass=\"so-widget-image\"\/>\n\t<\/a><\/div>\n\n<\/div><\/div><\/div><div id=\"pgc-11482-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-11482-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>The new site Revue Noire lights old things as new.\u00a0These old things that made Revue Noire and that we always made available to everyone in modern shapes or with this paper that we never thrown. Despite the economic rules that would seek to destroy any publishing after six months in bookstores.<\/p>\n<p>\u00a0<\/p>\n<p>Here on the site not only years but decades pass. Although most of the works are exhausted, there is always some pearls available as our latest publishings.<\/p>\n<p>\u00a0<\/p>\n<p>The new site is to preserve this special lighting to contemporary creations in Africa and elsewhere. It's good the presence of images and literary words. With the pleasure of showing them printed on beautiful paper or on the screen. Without false culturalism that invades the increasingly swollen discourse of not scientific sounding words.<\/p>\n<p>\u00a0<\/p>\n<p>Certainly oblivion is sometimes preferable to preservation. Probably for what is ridiculous or hateful. But for what remains desirable and essential, better try to keep this in a renewed. We seek no periodicity to sometimes say things. Just the force of a presence rooted in a story.<\/p>\n<p>\u00a0<\/p>\n<p>by Jean Loup Pivin<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-11482-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-11482-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-11482-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Lorne', gum-bichromate, 1989<\/p>\n<p>.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>The new site Revue Noire is to preserve this special lighting to contemporary creations in Africa and elsewhere. It&#8217;s good the presence of images and literary words. With the pleasure of showing them printed on beautiful paper or on the screen. Without false culturalism that invades the increasingly swollen discourse of sounding words.<br \/>\nAlthough most of the works are exhausted, there is always some pearls available as our latest publishings.<\/p>\n","protected":false},"author":3,"featured_media":11311,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[54],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/11482"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=11482"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/11482\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/11311"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=11482"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=11482"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=11482"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}