{"id":11348,"date":"2016-04-07T18:21:14","date_gmt":"2016-04-07T17:21:14","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=11348"},"modified":"2016-10-10T15:53:52","modified_gmt":"2016-10-10T14:53:52","slug":"rotimi-fani-kayode-photo","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/rotimi-fani-kayode-photo\/","title":{"rendered":"Rotimi Fani Kayode &#8211; Photo"},"content":{"rendered":"<div id=\"pl-11348\"  class=\"panel-layout\" ><div id=\"pg-11348-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-11348-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-11348-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<figure id=\"attachment_11311\" aria-describedby=\"caption-attachment-11311\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-11311\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07.jpg\" alt=\"\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Lorne', gum-bichromate, 1989\" width=\"1500\" height=\"1470\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07.jpg 1500w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07-300x294.jpg 300w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07-768x753.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE07-1024x1004.jpg 1024w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><figcaption id=\"caption-attachment-11311\" class=\"wp-caption-text\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Lorne', gum-bichromate, 1989<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-11348-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-11348-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>PHOTO<\/h3>\n<p>\u00a0<\/p>\n<p>born in 1955 in If\u00e9, Nigeria - died in 1989 in London, UK<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Active from 1982 to 1989 in London<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p class=\"p1\">Rotimi Fani Kayode, from a family of Nigerian notable with religious and political powers, left Nigeria after the military coup d'\u00e9tat of 1966 for England. He then studied visual arts at Georgetown University, Washington DC, and the Pratt Institute in New York. Rotimi is then in contact with the African-American community that strong brands.<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">In 1982 he returned to England where he divides most of his life and his work with the photographer Alex Hirst (1951-1992).<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-11348-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-11348-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-11348-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>[run the slideshow below]<\/p>\n<div id=\"metaslider-id-11345\" style=\"max-width: 1500px;\" class=\"ml-slider-3-70-0 metaslider metaslider-flex metaslider-11345 ml-slider ms-theme-radix has-dots-nav\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"RFK diaporama\">\n    <div id=\"metaslider_container_11345\">\n        <div id=\"metaslider_11345\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: block; width: 100%;\" class=\"slide-11559 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11559\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/AF-NIGE-RFKAYODE-PH080.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11559\" \/><div class=\"caption-wrap\"><div class=\"caption\">PRINT COLOR : The Golden Phallus, Nigeria-U.K. (\u00a9 Rotimi Fani Kayode)<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11304 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11304\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/AF-NIGERIA-RFKAYODE-Grapes-1989_PH002.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11304\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11328 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11328\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_025.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11328\" \/><div class=\"caption-wrap\"><div class=\"caption\">PRINT B&amp;W : Maternal Milk, 1983 (\u00a9 Rotimi Fani Kayode)<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11300 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11300\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/AF-NIGERIA-RFKAYODE-EveryMomentCounts-1989-PH001.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11300\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Every Moment Count' - serie 'Ecstatic Antibodies', 1989<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11302 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11302\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/AF-NIGERIA-RFKAYODE-FishVendor-1989-PH003.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11302\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Fish Vendor', 1988<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11340 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11340\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_086.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11340\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Peeping Tom', black &amp; white silver with hand-tinting,1989<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11306 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11306\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE01.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11306\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Sonponnoi', black &amp; white silver with hand-tinting, 1987<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11338 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11338\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_034.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11338\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Every Mother's Son \/ Children of Suffering', 1989<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11336 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11336\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_030.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11336\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Half Opened Eyes Twins'<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11312 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11312\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE09.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11312\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Twins'<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11326 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11326\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_024.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11326\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Technique of Ecstasy', 1987<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11330 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11330\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_026.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11330\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Milk Drinker', 1983<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11332 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11332\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_028.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11332\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Pipe'<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11324 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11324\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_023.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11324\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Crucifixion', 1989<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11318 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11318\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE12.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11318\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Waist Beads', 1987<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11334 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11334\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_029.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11334\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Mask, serie Ecstatic Antibodies', 1989<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11314 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11314\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/KAYODE10.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11314\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Dan Mask', 1989<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-11322 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-11322\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/04\/RFKayode_Nigeria_021.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-11345 slide-11322\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Rotimi Fani Kayode (&amp; Alex Hirst), 'Cargo of Middle Passage', gum-bichromate, 1989<\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-11348-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-11348-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-11348-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p class=\"p1\">He is one of the founders of Autograph (Association of Black British Photographers), working with Black Audio Film Collective, advocates for the fight against AIDS. Its difference, he displays it the claims in his life as much as by his photographs.<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">And although he admits the ambition to create images to undermine the vision set out in the world, what are the similarities between cultures and individuals that it highlights a growing presence of a strong Africa , a Nigeria that have never left with his series 'Ecstasy and Spirituality'.<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">An Africa that he would join if death did not stop had a December 21, 1989, after only seven years of creative activity.<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">\u00a0<br \/>by\u00a0Jean Loup Pivin<\/p>\n<p>\u00a0<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<p class=\"p1\">\u00a0<\/p>\n<h2>Exhibitions<\/h2>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>1984 group exhibition at Art Show Gallery, London<br \/>1985 solo exhibition at B&amp;J Gallery, Lagos, Nigeria<\/p>\n<p>1985 exhibit 'No Comment' at Brixton Art Gallery, London<br \/>1986 group exhibition at Oval House Gallery, London<\/p>\n<p>1987 founding member and first chairperson of Autograph (The Association of Black Photographers)<\/p>\n<p>1987 exhibit 'Misfits' at Oval House Gallery, London<\/p>\n<p>1988 solo exhibition at 181 Gallery, London<\/p>\n<p>1988 publication of 'Black Male-White Male, a book of Fani-Kayod\u00e9\u2019s photographs'<\/p>\n<p>1989 solo exhibition at Submarine Gallery, London<\/p>\n<p>1989\u00a0Rotimi Fani-Kayod\u00e9\u2019s performance in the film 'Twilight City',\u00a0directed by John Akomfrah (Black Audio Film Collective)<\/p>\n<p>1989 died in London on December 21 at age 34<\/p>\n<p>1990 exhibit 'Rotimi Fani-Kayod\u00e9 : A Retrospective' at 198 Gallery, London, with Michael Cadette and Sonia Boyce<\/p>\n<p>1990 exhibit at Black Art Gallery, London,<\/p>\n<p>1990 Fotofest, Houston, Texas<\/p>\n<p>1990 exhibit 'Ecstatic Antibodies' at Battersea Arts Centre, London (travelling exhibition in the UK)<br \/>1991 retrospective exhibit at Black-Art Gallery, London<\/p>\n<p>1991 publishing magazine Revue Noire RN03, Paris, with A Rotimi and Alex\u2019s monograph<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<h2>Publications Revue Noire<\/h2>\n<p>\u00a0<\/p>\n<figure id=\"attachment_9179\" aria-describedby=\"caption-attachment-9179\" style=\"width: 224px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/rotimi-fani-kayode\/\" rel=\"attachment wp-att-9179\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-9179 size-medium\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-RFK-RotimiFaniKayode-Nigeria-Photo_COUV-224x300.jpg\" alt=\"Rotimi Fani Kayode &amp; Alex Hirst, monographie\" width=\"224\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-RFK-RotimiFaniKayode-Nigeria-Photo_COUV-224x300.jpg 224w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-RFK-RotimiFaniKayode-Nigeria-Photo_COUV-768x1029.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-RFK-RotimiFaniKayode-Nigeria-Photo_COUV-764x1024.jpg 764w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-RFK-RotimiFaniKayode-Nigeria-Photo_COUV.jpg 900w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/a><figcaption id=\"caption-attachment-9179\" class=\"wp-caption-text\">Rotimi Fani Kayode &amp; Alex Hirst, monographie<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<figure id=\"attachment_8503\" aria-describedby=\"caption-attachment-8503\" style=\"width: 225px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8503\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b-225x300.jpg\" alt=\"Anthology of African Photography\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b-225x300.jpg 225w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b-768x1024.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b.jpg 1500w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><figcaption id=\"caption-attachment-8503\" class=\"wp-caption-text\">Anthology of African Photography<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<figure id=\"attachment_2105\" aria-describedby=\"caption-attachment-2105\" style=\"width: 213px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/revue-noire-03\/\" rel=\"attachment wp-att-2105\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-2105 size-medium\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN03-RevueNoire03_Photo_RotimiFaniKayode_Couv1-213x300.jpg\" alt=\"Revue Noire Magazine RN03 African Photography\" width=\"213\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN03-RevueNoire03_Photo_RotimiFaniKayode_Couv1-213x300.jpg 213w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN03-RevueNoire03_Photo_RotimiFaniKayode_Couv1-726x1024.jpg 726w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN03-RevueNoire03_Photo_RotimiFaniKayode_Couv1.jpg 1447w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN03-RevueNoire03_Photo_RotimiFaniKayode_Couv1-1200x1691.jpg 1200w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN03-RevueNoire03_Photo_RotimiFaniKayode_Couv1-620x874.jpg 620w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN03-RevueNoire03_Photo_RotimiFaniKayode_Couv1-400x564.jpg 400w\" sizes=\"(max-width: 213px) 100vw, 213px\" \/><\/a><figcaption id=\"caption-attachment-2105\" class=\"wp-caption-text\">Revue Noire Magazine RN03 African Photography<\/figcaption><\/figure>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Rotimi Fani Kayode (et Alex Hirst) n\u00e9 \u00e0 1955 \u00e0 If\u00e9, Nigeria &#8211; d\u00e9c\u00e9d\u00e9 en 1989 \u00e0 Londres, UK), photographe engag\u00e9 fondateur de Autograph, engag\u00e9 contre le Sida. Trance, Extase et Spiritualit\u00e9 du monde Yoruba.<\/p>\n","protected":false},"author":2,"featured_media":11311,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[69],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/11348"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=11348"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/11348\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/11311"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=11348"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=11348"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=11348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}