{"id":10401,"date":"2016-03-15T17:53:52","date_gmt":"2016-03-15T16:53:52","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=10401"},"modified":"2018-02-06T18:06:26","modified_gmt":"2018-02-06T17:06:26","slug":"mama-casset","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/mama-casset\/","title":{"rendered":"Mama Casset &#8211; Photo"},"content":{"rendered":"<div id=\"pl-10401\"  class=\"panel-layout\" ><div id=\"pg-10401-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-10401-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-10401-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<figure id=\"attachment_10388\" aria-describedby=\"caption-attachment-10388\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSETvint_PH307.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10388\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSETvint_PH307.jpg\" alt=\"\u00a9 photo Mama Casset, Portrait in the Studio 'African Photo', Dakar ca. 1950-1970\" width=\"1500\" height=\"2037\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSETvint_PH307.jpg 1500w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSETvint_PH307-221x300.jpg 221w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSETvint_PH307-768x1043.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSETvint_PH307-754x1024.jpg 754w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><figcaption id=\"caption-attachment-10388\" class=\"wp-caption-text\">\u00a9 photo Mama Casset, Portrait in the Studio 'African Photo', Dakar ca. 1950-1970<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-10401-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-10401-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>Photographer<\/h3>\n<p>(Dakar,\u00a0Senegal)<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\nborn in 1908 (Saint-Louis du Senegal) -\u00a0died in\u00a01992 (Dakar, Senegal)<br \/>\nActive in Dakar from 1941 to 1980.<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\nFrom the age of 12, Mama Casset learned photography with the French Oscar Lataque in Dakar then at the end of primary school he works in the Tennequin\u2019s AOF Photographic Counter. Soon he joined the French Air Force for which he produced numerous aerial photographs.<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\nAt the end of the Second World War, he opened his private studio \"African Photo\" in the Medina in Dakar.<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\nMama Casset is not content to be the fashionable Dakar studio and its bourgeoisie, he produced a work which he himself describes as artistic whose second wife is his muse and the main model. The very personal aesthetic established by Mama Casset will school: rare set pieces, staged very structured characters, frequent use of the diagonal, highlighting the expression of body position hands, eyes, place given to the costume, tight frame.\u00a0Look at a picture of Mama Casset is to feel heavy perfumes - the tchoura\u00efs -, the back laughter or sadness, fortitude or weakness, sensuality.<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\nBecame blind, he ceases all activity in the 1980s few years later, his studio was completely destroyed by fire. His work is now out of oblivion.<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-10401-1\"  class=\"panel-grid panel-has-style\" ><div class=\"siteorigin-panels-stretch panel-row-style panel-row-style-for-10401-1\" data-stretch-type=\"full\" ><div id=\"pgc-10401-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-10401-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><em>\u00a0\u00a0<\/em><br \/>\n[run the slideshow below]<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<div id=\"metaslider-id-10790\" style=\"max-width: 1500px;\" class=\"ml-slider-3-70-0 metaslider metaslider-flex metaslider-10790 ml-slider ms-theme-radix has-dots-nav\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Mama Casset diaporama\">\n    <div id=\"metaslider_container_10790\">\n        <div id=\"metaslider_10790\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: block; width: 100%;\" class=\"slide-10357 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10357\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH002.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10357\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10383 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10383\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET1954_PH003.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10383\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10363 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10363\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH008.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10363\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10365 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10365\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH009.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10365\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10381 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10381\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET1953_PH001.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10381\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10375 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10375\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH016.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10375\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10373 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10373\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH015.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10373\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10379 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10379\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET1952_PH010.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10379\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10361 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10361\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH006.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10361\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10385 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10385\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSETvint_PH017.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10385\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10359 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10359\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH005.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10359\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10367 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10367\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH011.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10367\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10369 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10369\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH012.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10369\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10371 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10371\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH013.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10371\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10377 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10377\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_SEN_MCASSET_PH058.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10790 slide-10377\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Mama Casset, Studio 'African Photo', Dakar 1950-1970<\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div><br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<h2>Bibliography<\/h2>\n<p><em>\u00a0\u00a0<\/em><br \/>\n- 'Mama Casset', co-edition Revue Noire, Paris - La Fabrica, Madrid, 2011<br \/>\n- 'Mama Casset, un pomeriggio a Dakar, Takussanu Ndakaru' (An Afternoon in Dakar), Tagete Edizioni, Pisa 2005<br \/>\n- 'L'Afrique par elle-m\u00eame' ('Africa by Africans'), by\u00a0Anne Marie Bouttiaux, Alain D'Hooghe, Pascal Martin Saint Leon, Mus\u00e9e royal d'Afrique centrale in Tervuren and Revue Noire editions, Paris 2003<br \/>\n- 'Anthology of African\u00a0Photography, and in Indian Ocean and\u00a0Diaspora', co-edition Revue Noire Paris - DAP New York 1999 (french edition 1998)<br \/>\n- 'AfricanPhotography \/ Mozambique', Revue Noire Magazine RN17, December 1994<br \/>\n- 'Mama Casset et les pr\u00e9curseurs de la photographie au S\u00e9n\u00e9gal' (Casset and the Precursor Photographers in Senegal), editions Revue Noire, Paris 1994<br \/>\n- 'African Photographes', Revue Noire Magazine RN03, December 1991<br \/>\n<em>\u00a0\u00a0<\/em><em>\u00a0\u00a0<\/em><\/p>\n<h2>Exhibitions<\/h2>\n<p><em>\u00a0\u00a0<\/em><br \/>\n- 'Africa pelos Africanos', Centro Portugues de Fotografia, Porto, Portugal 2006<br \/>\n- 26e Biennale internationale de S\u00e3o Paulo, Brazil, curator\u00a0Simon Njami<br \/>\n- 'L'Afrique par elle-m\u00eame' ('Africa by Africans'), Revue Noire, MEP, Paris 1998<br \/>\n   (tour exhibit until 2003 : Brazil, South Africa, Germany, Usa, UK, Italia, Belgium)<br \/>\n- Nederlands Foto Instituut, Rotterdam 1995<br \/>\n- Ikon Gallery, Birmingham, UK1995<br \/>\n- Galerie Le Lieu, Lorient 1995<br \/>\n- 'African Photography', Studio Museum of Harlem, New York 1993<br \/>\n- 'Carte blanche \u00e0 Revue Noire', Centre Wallonie-Bruxelles, Paris 1992<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<h2>filmography<\/h2>\n<p><em>\u00a0\u00a0<\/em><br \/>\n- 'African Photo, Mama Casset', 56' documentary\u00a0by\u00a0Elisa Mereghetti, Fototracce-Ethnos productions.<br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<h2>Revue Noire publications<\/h2>\n<h2>and Mama Casset<\/h2>\n<p><em>\u00a0\u00a0<\/em><br \/>\n<figure id=\"attachment_6649\" aria-describedby=\"caption-attachment-6649\" style=\"width: 211px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/casset-african-photo\/\" rel=\"attachment wp-att-6649\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6649\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset02-African-Photo-COUV-211x300.jpg\" alt=\"Mama Casset, Studio African Photo\" width=\"211\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset02-African-Photo-COUV-211x300.jpg 211w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset02-African-Photo-COUV-768x1090.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset02-African-Photo-COUV-722x1024.jpg 722w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset02-African-Photo-COUV.jpg 1500w\" sizes=\"(max-width: 211px) 100vw, 211px\" \/><\/a><figcaption id=\"caption-attachment-6649\" class=\"wp-caption-text\">Mama Casset, Studio African Photo<\/figcaption><\/figure><br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<figure id=\"attachment_7193\" aria-describedby=\"caption-attachment-7193\" style=\"width: 223px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/m-casset-and-precursors\/\" rel=\"attachment wp-att-7193\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7193\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset01-Photo_Senegal_Louis_Dakar_Studio-223x300.jpg\" alt=\"Mama Casset and Senegalese Photo Precursors\" width=\"223\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset01-Photo_Senegal_Louis_Dakar_Studio-223x300.jpg 223w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/00-RevueNoire-Casset01-Photo_Senegal_Louis_Dakar_Studio.jpg 442w\" sizes=\"(max-width: 223px) 100vw, 223px\" \/><\/a><figcaption id=\"caption-attachment-7193\" class=\"wp-caption-text\">Mama Casset and Senegalese Photo Precursors<\/figcaption><\/figure><br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<figure id=\"attachment_8504\" aria-describedby=\"caption-attachment-8504\" style=\"width: 225px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/antho-african-photo\/\" rel=\"attachment wp-att-8504\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-8504\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b-225x300.jpg\" alt=\"Antho African Photo\" width=\"225\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b-225x300.jpg 225w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b-768x1024.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b.jpg 1500w\" sizes=\"(max-width: 225px) 100vw, 225px\" \/><\/a><figcaption id=\"caption-attachment-8504\" class=\"wp-caption-text\">Anthology of African Photography<\/figcaption><\/figure><br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<figure id=\"attachment_2114\" aria-describedby=\"caption-attachment-2114\" style=\"width: 214px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/revue-noire-07\/\" rel=\"attachment wp-att-2114\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-2114\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN07-RevueNoire07_Couv1-214x300.jpg\" alt=\"Revue Noire magazine RN07 Dakar\" width=\"214\" height=\"300\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN07-RevueNoire07_Couv1-214x300.jpg 214w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN07-RevueNoire07_Couv1-729x1024.jpg 729w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2015\/12\/01_RN07-RevueNoire07_Couv1.jpg 1500w\" sizes=\"(max-width: 214px) 100vw, 214px\" \/><\/a><figcaption id=\"caption-attachment-2114\" class=\"wp-caption-text\">Revue Noire magazine RN07 Dakar<\/figcaption><\/figure><br \/>\n<em>\u00a0\u00a0<\/em><br \/>\n<em>\u00a0\u00a0<\/em><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Photographer (Dakar,\u00a0Senegal) \u00a0\u00a0 born in 1908 (Saint-Louis du Senegal) &#8211;\u00a0died in\u00a01992 (Dakar, Senegal) Active in Dakar from 1941 to 1980. \u00a0\u00a0 From the age of 12, Mama Casset learned photography with the French Oscar Lataque in Dakar then at the end of primary school he works in the Tennequin\u2019s AOF Photographic Counter. Soon he joined ... <\/p>\n","protected":false},"author":2,"featured_media":10388,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[69],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/10401"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=10401"}],"version-history":[{"count":0,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/10401\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/10388"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=10401"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=10401"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=10401"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}