{"id":10344,"date":"2016-03-15T12:04:32","date_gmt":"2016-03-15T11:04:32","guid":{"rendered":"http:\/\/www.revuenoire.com\/en\/?p=10344"},"modified":"2022-09-26T17:46:27","modified_gmt":"2022-09-26T16:46:27","slug":"jean-depara","status":"publish","type":"post","link":"https:\/\/www.revuenoire.com\/en\/jean-depara\/","title":{"rendered":"Jean Depara &#8211; Photo"},"content":{"rendered":"<div id=\"pl-10344\"  class=\"panel-layout\" ><div id=\"pg-10344-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-10344-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-10344-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<figure id=\"attachment_10026\" aria-describedby=\"caption-attachment-10026\" style=\"width: 1500px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10026\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001.jpg\" alt=\"\u00a9 photo Jean Depara, 'Young Woman in Front of Afro Negro Club', Kinshasa, D.R.Congo ca. 1955-1965\" width=\"1500\" height=\"2250\" srcset=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001.jpg 1500w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001-200x300.jpg 200w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001-768x1152.jpg 768w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001-683x1024.jpg 683w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001-240x360.jpg 240w, https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/01-AF_RDC_JDEPARAfem_PH001-480x720.jpg 480w\" sizes=\"(max-width: 1500px) 100vw, 1500px\" \/><\/a><figcaption id=\"caption-attachment-10026\" class=\"wp-caption-text\">\u00a9 photo Jean Depara, 'Young Woman in Front of Afro Negro Club', Kinshasa, D.R.Congo ca. 1955-1965<\/figcaption><\/figure>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-10344-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-10344-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<h3>Photographer<\/h3>\n<p>Born in 1928 (Angola) - died in 1997 (Kinshasa, D.R.Congo)<\/p>\n<p>Active\u00a0in Leopoldville \/ Kinshasa from 1951 to 1975<\/p>\n<p>\u00a0<\/p>\n<p>\u00a0<\/p>\n<p>Exceptional photographer of outside-nights and other fashion places in Leopoldville between 1955 - 1965, in the years of independence of the former Belgian Congo - Zaire.<\/p>\n<p>\u00a0<\/p>\n<p>Jean Depara, photographer in Leopoldville\u00a0(DRCongo) between 1951-1975, shares his night life in the streets and bars, dance halls, and in\u00a0day\u00a0in athletic clubs and sports complex pool 'La Funa' of\u00a0the capitale.<\/p>\n<p>\u00a0<\/p>\n<p>Jean Loup Pivin met Jean Depara end of 1995 working on\u00a0publishing of the magazine\u00a0RN 21 Kinshasa, where\u00a0his photographs were published\u00a0for the first time, before other books as his monograph 'Depara, Night &amp; Day in Kinshasa' in 2010. Then aged 67 years, Depara had stopped to photograph since 1989 but he was\u00a0still\u00a0vivid and lively as\u00a0in his youth. Depara is not hiding\u00a0he was himself one of those turbulent youths, limit bad boy, frequenting bars and dance halls, drinking beer Primus and flirting with easy\u00a0girls, dressing themselves as\u00a0Bill, the American western movies cowboys fashion, practicing bodybuilding like the peplum\u00a0movies, during this exceptional moment for years 1955-1965 when the Belgian Congo will gain independence and later became Zaire and its capital Kinshasa.<\/p>\n<p>\u00a0<\/p>\n<p>Depara simply photograph is own life. And no other African photographer has gone so\u00a0far in the accuracy\u00a0of the reality of this\u00a0time.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-10344-1\"  class=\"panel-grid panel-has-style\" ><div class=\"panel-row-style panel-row-style-for-10344-1\" ><div id=\"pgc-10344-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-10344-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>[run the slideshow below]<\/p>\n<div id=\"metaslider-id-10797\" style=\"max-width: 1500px;\" class=\"ml-slider-3-70-0 metaslider metaslider-flex metaslider-10797 ml-slider ms-theme-radix has-dots-nav\" role=\"region\" aria-roledescription=\"Slideshow\" aria-label=\"Depara diaporama\">\n    <div id=\"metaslider_container_10797\">\n        <div id=\"metaslider_10797\">\n            <ul aria-live=\"polite\" class=\"slides\">\n                <li style=\"display: block; width: 100%;\" class=\"slide-10034 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10034\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/05-AF_RDC_JDEPARAf98_PH007.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10034\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Sur le capot d'une Lincoln Zephir' L\u00e9opoldville 1961<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10030 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10030\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/03-AF_RDC_JDEPARAf98_PH027.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10030\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Station \u00e0 essence Petro-Congo' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10028 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10028\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/02-AF_RDC_JDEPARAfau_PH035.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10028\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'En route pour la nuit' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10032 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10032\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/04-AF_RDC_JDEPARAfau_PH038.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10032\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Musiciens en Am\u00e9ricaine d\u00e9capotable' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10038 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10038\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/08-AF_RDC_JDEPARAhom_PH014.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10038\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Au volant d'une Am\u00e9ricaine' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10036 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10036\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/07-AF_RDC_JDEPARAfvl_PH014.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10036\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, '4 amis autour du Solex' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10040 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10040\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/10_AF_RDC_JDEPARAff_PH005-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10040\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Belle au ch\u00e2le blanc' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10042 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10042\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/12-AF_RDC_JDEPARAfam_PH229-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10042\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Deux amis dans la nuit' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10044 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10044\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/14-AF_RDC_JDEPARAfap_PH147-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10044\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Les amoureux dans la nuit' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10046 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10046\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/17-AF_RDC_JDEPARAgroupe_PH018.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10046\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'D\u00e9sir' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10048 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10048\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/20-AF_RDC_JDEPARAfcp_PH172-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10048\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Couple devant l'Afro Negro Club' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10050 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10050\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/29-AF_RDC_JDEPARAhom_PH001.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10050\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Salutations des musiciens' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10052 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10052\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/30-AF_RDC_JDEPARAfgr_PH183.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10052\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, '\u00c0 l'entr\u00e9e du bar-dancing (Seigneur Rochereau \u00e0 droite)' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10077 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10077\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/32-AF_RDC_JDEPARAfam_PH220.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10077\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Les hommes du bar-dancing' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10079 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10079\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/33-AF_RDC_JDEPARAfgr_PH092.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10079\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Gar\u00e7ons du bar-dancing' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10083 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10083\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/35-AF_RDC_JDEPARAfgr_PH134.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10083\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Filles du bar-dancing' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10081 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10081\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/34-AF_RDC_JDEPARAhom_PH017.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10081\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, '2 hommes dansent un pas de deux' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10085 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10085\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/36-AF_RDC_JDEPARAfcp_PH083.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10085\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Couple en noir et blanc' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10087 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10087\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/37-AF_RDC_JDEPARAfgr_PH128.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10087\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Jeunes avant de danser' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10089 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10089\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/38-AF_RDC_JDEPARAgroupe_PH002.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10089\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Les jeunes twistent' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10108 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10108\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/40-AF_RDC_JDEPARAfem_PH008.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10108\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Autour des bi\u00e8res' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10091 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10091\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/39-AF_RDC_JDEPARAfmusic_PH013.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10091\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Le saxo swingue' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10075 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10075\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/31-AF_RDC_JDEPARAfb_PH023.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10075\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, '4 Ballerines assises sur le pagne de Gaulle' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10093 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10093\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/42-AF_RDC_JDEPARAfap_PH161.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10093\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Belle en corset blanc' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10095 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10095\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/43-AF_RDC_JDEPARAfem_PH014.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10095\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Belle denud\u00e9e en pagne' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10097 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10097\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/44-AF_RDC_JDEPARAff_PH019-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10097\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Attente dans la nuit' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10103 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10103\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/47-AF_RDC_JDEPARAfem_PH020.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10103\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Belle \u00e0 la rose' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10101 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10101\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/46-AF_RDC_JDEPARAfem_PH036.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10101\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Tenanci\u00e8re du club' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10112 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10112\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/50-AF_RDC_JDEPARAfranco_PH005.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10112\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Franco \u00e0 la casquette' L\u00e9opoldville 1956<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10114 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10114\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/51-AF_RDC_JDEPARAfranco_PH009.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10114\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Franco en pagne' L\u00e9opoldville 1956<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10116 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10116\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/52-AF_RDC_JDEPARAfranco_PH007.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10116\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Franco \u00e0 la guitare' L\u00e9opoldville 1956<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10118 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10118\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/53-AF_RDC_JDEPARAffranco_PH036.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10118\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Batteur de l'OK Jazz de Franco' L\u00e9opoldville 1954-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10162 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10162\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/58-AF_RDC_JDEPARAfranco_PH002.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10162\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10120 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10120\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/54-AF_RDC_JDEPARAfranco_PH004.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara, le Ok Jazz\" class=\"slider-10797 slide-10120\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Le Band de Franco (\u00e0 droite)' L\u00e9opoldville 1956<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10122 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10122\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/55-AF_RDC_JDEPARAfranco_PH016.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara, Franco\" class=\"slider-10797 slide-10122\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Musekiwa, Mujos et Franco' L\u00e9opoldville 1963<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10124 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10124\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/56-AF_RDC_JDEPARAfau_PH058.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10124\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Franco au volant de son Am\u00e9ricaine d\u00e9capotable' L\u00e9opoldville 1954-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10126 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10126\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/57-AF_RDC_JDEPARAfranco_PH012.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10126\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Franco saluant dans son Am\u00e9ricaine d\u00e9capotable' L\u00e9opoldville 1954-1970<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10128 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10128\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/61-AF_RDC_JDEPARAfmusic_PH022.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10128\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Saxophoniste' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10130 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10130\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/63-AF_RDC_JDEPARAfmusic_PH158.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10130\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Contrebassiste avant le d\u00e9part en tourn\u00e9e' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10172 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10172\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/AF_RDC_JDEPARAfmusic_PH025.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10172\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10132 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10132\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/89-AF_RDC_JDEPARAgroupe_PH017.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10132\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Clin d'oeil au photographe' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10154 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10154\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/88-AF_RDC_JDEPARAfgr_PH010-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10154\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Militaire chez son amie' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10138 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10138\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/70-AF_RDC_JDEPARAbill_PH001.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10138\" \/><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10142 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10142\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/72-AF_RDC_JDEPARAf98_PH022.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10142\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Depara<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10144 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10144\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/73-AF_RDC_JDEPARAfh_PH032-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10144\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Depara<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10146 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10146\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/80-AF_RDC_JDEPARAfapp-PH021-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10146\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Concours de bodybuilders' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10148 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10148\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/82-AF_RDC_JDEPARAsport_PH009.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10148\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Athl\u00e8te \u00e0 la piscine La Funa' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10150 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10150\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/86-AF_RDC_JDEPARAsport_PH010.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10150\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Athl\u00e8te assis le long de la piscine La Funa' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10152 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10152\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/87-AF_RDC_JDEPARAsportB_PH013.jpg\" height=\"0\" width=\"1500\" alt=\"\u00a9 photo Depara\" class=\"slider-10797 slide-10152\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, '6 athl\u00e8tes du complexe sportif de La Funa' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10156 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10156\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/90-AF_RDC_JDEPARAself_PH002.jpg\" height=\"0\" width=\"1500\" alt=\"Auto-portrait de Jean Depara, dos \u00e0 dos avec un ami \u00a9 photo Estate of Depara\" class=\"slider-10797 slide-10156\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Autoportrait dos \u00e0 dos' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n                <li style=\"display: none; width: 100%;\" class=\"slide-10158 ms-image \" aria-roledescription=\"slide\" aria-label=\"slide-10158\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/94-AF_RDC_JDEPARAfapd_PH005-copy.jpg\" height=\"0\" width=\"1500\" alt=\"\" class=\"slider-10797 slide-10158\" \/><div class=\"caption-wrap\"><div class=\"caption\">\u00a9 photo Jean Depara, 'Autoportrait au bord du fleuve Congo' L\u00e9opoldville 1955-1965<\/div><\/div><\/li>\n            <\/ul>\n        <\/div>\n        \n    <\/div>\n<\/div>\n<h2>.<br \/>\n<\/h2>\n<h2>Biography<\/h2>\n<p>Depara begins in 1951 to photograph, the year of his marriage in Matadi. To record the event, he buys a small Adox camera. Back in Kinshasa in 1951, Depara attempts to reconcile photography and various odd jobs (repairer of bicycles, cameras, scrap ...). Then in 1953 he set up his studio \"Jean Whisky Depara\" in Kato on No. 54.<\/p>\n<p class=\"p1\">Inter-ethnic metropolis since the years 1920-30, Leopoldville, as Brazzaville on the other side, is a bustling capital where you heard day and night Polka, Maringa, Tango, and of course Rumba. The music brings together the entire population of the city, Ghanaian, Senegalese, Congolese, coastmen, African, European...\u00a0Music is the cultural link around which the populations of the city have joined forces, finding both melodies and ancient rhythms, and modern ones created by their idols or imported from Europe and Americas.<\/p>\n<p>Grouped into associations, youths of Leopoldviile (Kinsahsa) gather in companies each with a gang leader, a style of dress, their female muses, a place where to meet (usually one of the countless bars, dance halls, the 'Siluvangi', 'Amouzou', 'Congo Bar', 'Air France', 'Quist', 'Ok Bar', 'Chez Macauley'\u2026) and ear music band (the most important are \"OK Jazz\" with Franco and the \"African Jazz\" with Joseph Kabasele), with singers and musicians perfectly trained in church choirs.<\/p>\n<p>The boom of the music was amplified by the many labels installed on site (as 'Olympia' created in 1940, 'Ngoma' en 1947, 'Loningisa', 'Opika', 'Essengo'\u2026). They have facilitated the use of new instruments like electric guitar and sax, the diffusion of tubes (with radio) across Africa and Europe, organizing concerts and remuneration of the authors.<\/p>\n<p>Depara is part of these fun-loving youths, dancing, flirting. By day, while continuing photo studio, he attended in the city Nganda (bars) as 'Kwist' held by a West-African, 'Ok Bar', on Itaga, 'Sarma Congo'. He also enjoys photographing bodybuilders (great seducers soon very popular) that he finds the afternoon at the sports complex La Funa, a place of entertainment for all, Blacks and Whites.<\/p>\n<p>At night, alone with his flash camera slung over his shoulder, 'like a bow' he said, he toured the fashionable nightclubs : the 'Afro Mogenbo\u2019, the \u2018Champs-Elys\u00e9es\u2019, the \u2018Djambo-Djambu\u2019, the \u2018Oui\u2019,the \u2018Fifi\u2019, the \u2018Show Bot\u2019. In 1955, the \u2018Kongo Bar\u2019 was the most 'in' spot on Tshoapa street after Itaga, (now a church) along the \u2018Opika\u2019 (intersection Kabambar\u00e9-Bokassa) and the \u2018Bingabar\u2019 on Moero lake (Barumbu neighbourhood). Each dancing had its resident orchestra and its regulars boys and girls. The atmosphere was crazy, suitable for all encounters. And the business of photography was easy for Depara. Noticed in 1954 by Franco, the maestro of the Zairean rumba, he became his official photographer (Depara was only 26) and invited him to all his musical evenings (including in Mokalia) until the singer's death in 1989. The atmosphere is crazy, as selling photography easy.<\/p>\n<p>While keeping up his night work, he tooks photograph the day in his studio until 1956. From 1975 to 1989, in his fifties, he become the official photographer attached to the Parliament.<\/p>\n<p>In 1989 he retires to devote himself to fishing and building pirogues.\u00a0Depara died in 1997 in Kinshasa at the age of 69 years, leaving more than 5000 pictures of a boosted and carefree time when Kinshasa was the vibrant and crazy heart of all over Africa. \"Kin-the-joy, Kin-the-madness\" as says the novelist Achilles Ngoye.<\/p>\n<p>The photograph of Depara, always perfect framing and knowing transcribe the crazy atmosphere of the youth of Kin, not bother with any prejudice about actors of its nights, nor of taboo, or surprising love for a night, there a beautiful provocative neckline, or even after the escapade of a band in search of adventure. Because Depara is not only a photographer but also a young man who lives moments of his photo. And we relive those moments. The great Depara photographs the great Kinshasa in years 1951-75.<\/p>\n<h2>Links<\/h2>\n<p>The Jean Depara photo work\u00a0is\u00a0represented\u00a0by <a href=\"http:\/\/www.revuenoire.com\/en\/\">Revue Noire<\/a>\u00a0by agreement\u00a0with the\u00a0Estate of Depara.<\/p>\n<h2>SOLO Exhibitions<\/h2>\n<p>2011-2012 : 'Night &amp; Day in Kinshasa, 1950-1965' in Revue Noire Paris and\u00a0Halle de la Gomb\u00e9 in Kinshasa<\/p>\n<p>2009 : 'Les nuits de Kinshasa, Jean Depara, 1955 \u00e0 1975', Bamako African photography Festival,\u00a0Mali 2009<\/p>\n<p>2004 : 'E la Nave Va, Quiet Days in Kinshasa', MAMCO, Geneve\u00a0Switzerland<\/p>\n<p>2002 : Centre de la Photographie, Geneve Switzerland<\/p>\n<p>2001 : Bamako African photography Festival (Rencontres de la Photographie de Bamako), Mali<\/p>\n<h2>collective Exhibitions<\/h2>\n<p>2015 : 'Beaut\u00e9 Congo - 1926-2005 - Congo Kitoko', Fondation Cartier, Paris<\/p>\n<p>2008 : \"Zoom sur la femme congolaise\", espace \"Art de vivre\", Kinshasa<\/p>\n<p>2007 : 'Le rituel de la pose' Mus\u00e9e des Arts derniers, Paris<\/p>\n<p>2006-2007 : '100% Africa', Guggenheim Museum de Bilbao, Spain<\/p>\n<p>2005 : 'Arts of Africa', Grimaldi Forum, Monaco<\/p>\n<p>2005 : 'African Art Now, the Jean Pigozzi Collection', Museum of Fine Art Houston, Usa<\/p>\n<p>2002 : Centre le la photographie Gen\u00e8ve, collection Pigozzi<\/p>\n<p>2000 : Noorderlicht 2000 photofestival, Fries Museum Leeuwarden, Netherland<\/p>\n<p>2000 : 'Africa Past-Present', Seydou Keita, P.K. Apagya, Depara, C.A. Azaglo and Ojeikere, Fifty One Fine Art Photography Gallery, Anvers Belgique<\/p>\n<p>1998 - 1999 : 'Eye Africa : African photography 1840-1998', Festival of African photography, SANG Cape Town, South Africa<\/p>\n<p>1998-2001 : 'L'Afrique par elle-m\u00eame' ('Africa by Africans'), Maison europ\u00e9enne de la Photographie, Paris 1998 ; Pinacotteca S\u00e3o Paulo, Brazil 1998 ; New Market in\u00a0Cape Town, South Africa 1999 ; Rencontres de la Photo Africaine 1999 in Bamako Mali ; Haus der Kulturen der Welt in Berlin germany 1999 ; Barbican Museum London 1999 : Anacostia Museum Washington 2000 ; New African Museum New York 2000 ; Bologne Italia ; Royal Museum of Central Africa in Tervuren Belgium 2001 (tour exhibition curated by\u00a0Revue Noire)<\/p>\n<h2>Bibliographiy<\/h2>\n<p>* Exhibition catalog 'Beaut\u00e9 Congo - 1926-2005 - Congo Kitoko', Fondation Cartier, Paris 2015<\/p>\n<p>* 'Depara', collection PhotoBolsillo by La Fabrica (Spain) and Revue Noire (France) 2010<\/p>\n<p>* 'C magazine N\u00b05', Jean Depara, Ivory Press 2007<\/p>\n<p>* Exhibition catalog '100% Africa', publishing by\u00a0TF Editores and FMGB Guggenheim Bilbao Museum, 2006<\/p>\n<p>* Exhibition catalog 'African Art Now, Masterpieces from the Jean Pigozzi Collection', publishing by Merrell, 2005<\/p>\n<p>* 'L\u2019Afrique par elle-m\u00eame' ('Africa by Africans'), Revue Noire, Paris 2003<\/p>\n<p>* 'Photographes de Kinshasa', Revue Noire, Paris 2001<\/p>\n<p>* Catalog of the Rencontres de la Photographie de Bamako (Bamako African Photography Festival), Mali 2001, 'M\u00e9moires Intimes d'un Nouveau Mill\u00e9naire - Intimates Memories of the New Millenium', Edition Eric Koehler, Paris.<\/p>\n<p>* Catalog Noorderlicht 2000 photofestival, Fries Museum, Leeuwarden, Netherland 2001<\/p>\n<p>* 'Anthology of African Photography' Revue Noire, Paris\u00a0and\u00a0DAP Editions, New York 1999<\/p>\n<p>* 'Anthologie de la Photographie africaine et de l'Oc\u00e9an indien' Revue Noire Editions, Paris 1998<\/p>\n<p>* 'Kinshasa', Revue Noire magazine N\u00b021, Revue Noire Editions, Paris 1996<\/p>\n<h2>by Revue Noire\u00a0Editions<\/h2>\n<p>Publishings\u00a0included\u00a0photographs by\u00a0Jean Depara\u00a0available\u00a0here on the site<\/p>\n<figure style=\"width: 212px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/revue-noire-21\/\" rel=\"attachment wp-att-5211\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/01_RN21-RevueNoire21_ZaireRDCongoKinshasa_Couv1-1-212x300.jpg\" alt=\"01_RN21-RevueNoire21_ZaireRDCongoKinshasa_Couv1\" width=\"212\" height=\"300\" \/><\/a><figcaption class=\"wp-caption-text\">Magazine Revue Noire RN21 Kinshasa<\/figcaption><\/figure>\n<h5><\/h5>\n<h5><\/h5>\n<figure style=\"width: 225px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/antho-african-photo\/\" rel=\"attachment wp-att-8504\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/RevueNoire-Antho-Photo-EN-p000b-225x300.jpg\" alt=\"Antho African Photo\" width=\"225\" height=\"300\" \/><\/a><figcaption class=\"wp-caption-text\">Anthology of African Photography<\/figcaption><\/figure>\n<h5><\/h5>\n<figure style=\"width: 225px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/photo-kinshasa\/\" rel=\"attachment wp-att-9071\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/03\/001-RevueNoire-PhotoKin-RDCongo_Depara_COUV-225x300.jpg\" alt=\"Photo Jean Depara, 'Jeune femme devant l'Afro Negro Club', Kinshasa, R.D.Congo vers 1955-1965\" width=\"225\" height=\"300\" \/><\/a><figcaption class=\"wp-caption-text\">Kinshasa Photographers<\/figcaption><\/figure>\n<h5><\/h5>\n<h5><\/h5>\n<figure style=\"width: 217px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/www.revuenoire.com\/en\/edition\/photo-kinshasa\/\" rel=\"attachment wp-att-6698\"><img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/www.revuenoire.com\/wp-content\/uploads\/2016\/02\/RevueNoire-JeanDepara-Kinshasa-00-217x300.jpg\" alt=\"RevueNoire-JeanDepara-Kinshasa-00\" width=\"217\" height=\"300\" \/><\/a><figcaption class=\"wp-caption-text\">Jean Depara, Night &amp; Day in Kinshasa<\/figcaption><\/figure>\n<h5><\/h5>\n<h5>\u00a0.<\/h5>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>Jean Depara, photographer in Kinshasa from 1951 to 1975 of outside-nights in Leopoldville between 1955 &#8211; 1965, during independence of the former Belgian Congo-Zaire<\/p>\n","protected":false},"author":2,"featured_media":10026,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_exactmetrics_skip_tracking":false,"_exactmetrics_sitenote_active":false,"_exactmetrics_sitenote_note":"","_exactmetrics_sitenote_category":0,"footnotes":""},"categories":[69],"tags":[],"aioseo_notices":[],"_links":{"self":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/10344"}],"collection":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/comments?post=10344"}],"version-history":[{"count":6,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/10344\/revisions"}],"predecessor-version":[{"id":22278,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/posts\/10344\/revisions\/22278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media\/10026"}],"wp:attachment":[{"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/media?parent=10344"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/categories?post=10344"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.revuenoire.com\/en\/wp-json\/wp\/v2\/tags?post=10344"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}